Writer
At one of the busiest highway junctions near Zagreb, a motel called Plitvice employs fifty people and has no guests. It’s a unique decaying microcosm, within which the time seems to have stopped, reflecting the fate of many former socialist state companies.
Director
At one of the busiest highway junctions near Zagreb, a motel called Plitvice employs fifty people and has no guests. It’s a unique decaying microcosm, within which the time seems to have stopped, reflecting the fate of many former socialist state companies.
Writer
Zvonimir is in a hurry; Branka, however, is not – she would prefer to stay home. Zvonimir is persistent – although at times it seems that he too is unsure of what to do. They both know that they will have no way to return once they depart.
Director
Zvonimir is in a hurry; Branka, however, is not – she would prefer to stay home. Zvonimir is persistent – although at times it seems that he too is unsure of what to do. They both know that they will have no way to return once they depart.
Director
The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.
