José Manuel Gatica

The inheritance from her former boss is a poisoned chalice for Indigenous housekeeper Justina: a huge, derelict mansion in the back of beyond. Justina’s daughter Alexia would much prefer to return to Buenos Aires and work as a car mechanic.

This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

A couple attend a genetic editing clinic to design their first child, with the hope of guaranteeing their offspring the successful, happy life that was unavailable to them.

Tony Martinez, a young man, returns to Costa Rica from a stint in a reformatory with the dream of break dancing and rejoining his working class community, while trying to avoid being drawn in by the local gangs.

One morning in June 2005, the guards of the National Museum of Fine Arts of Chile, noticed that a millionaire Auguste Rodin sculpture had been stolen. 24 hours after the event a shy art student returns the piece arguing that he had stolen it as part of an artistic project. A documentary that explores the dilemmas of the artist and contemporary art.

PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.