María Fernanda Sáenz

Two women who have spent their whole lives together must deal with the illness affecting one of them. The sick woman decides not to have treatment and they move into a cabin in the woods to wait for the day that death will come into their lives. The situation sees the resurfacing of the love that time had buried under the routine. Gradually their relationship will strengthen as death bides its time outside the cabin.

Solitary and sometimes attacked by an asthmatic crisis, Roque Waterfall leads, at age 30, an unproductive life and, little or nothing at work, lives on a small family inheritance. His passion is to collect videos of Atlanta, the club of his loves, and in one of his few nocturnal outings he meets Hans, a German intellectual nihilist who is in Buenos Aires to make a documentary film about people who have nothing. But when he meets Roque he decides that his film will be about someone who does not do anything, of course he is not sure if he wants to show himself before the camera, and while trying to escape the director he meets Carla, whose charm stimulates him to interrupt his sedentary life .

Solitary and sometimes attacked by an asthmatic crisis, Roque Waterfall leads, at age 30, an unproductive life and, little or nothing at work, lives on a small family inheritance. His passion is to collect videos of Atlanta, the club of his loves, and in one of his few nocturnal outings he meets Hans, a German intellectual nihilist who is in Buenos Aires to make a documentary film about people who have nothing. But when he meets Roque he decides that his film will be about someone who does not do anything, of course he is not sure if he wants to show himself before the camera, and while trying to escape the director he meets Carla, whose charm stimulates him to interrupt his sedentary life .

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.