Otýlie Beníšková

Trnka’s sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for the loving grandmother of a little girl. The wise grandmother, however, comes back and the girl finds the warmth of her grandmother’s loving arms again. Trnka’s artistic ideas in this film can be described as both poetically fragile and dramatically cautionary.

Farmers get away from their arguments by embarking on a religious pilgrimage, enjoy a picnic en route, and on their return decide to form a cooperative.

A spring is hidden in the Iron Mountain but the people of Arzen cannot get to it and they are suffering from thirst.

Dalibor is a 1956 Czech film of the opera of the same name by Bedřich Smetana.[1] Directed by Václav Krška, the film was entered into the 1956 Cannes Film Festival.

The movie describes proletarian life in the Czech Lands after World War I.

Film shows the struggle of the Czechoslovak armed forces against groups of Ukrainian Insurgent Army (UPA) under command Burlak, who tried to pass through the territory of Slovakia.

Poetic story of a proletarian couple's relationship in the years of economic crisis and unemployment.

Prague, during World War II. Hana Kaufmann, a Jewish ophthalmologist, marries Dr. Antonín Bureš, a Christian man. When her family is sent to the Theresienstadt concentration camp, their romance turns into a struggle for survival.

Czechoslovak drama film about soldiers returning from World War II

This romantic story turns on a stirring infatuation that takes hold of three young people under the influence of Simon, a Prague student. After the study year, 18 year-old Julio returns to his parental home, a little chateau on the Otava river. There he converges with his childhood friend Petr and the young boatman's daughter Klárka. Sharing her beguilement with Simon, who has quickly turned a tranquil summer atmosphere into a relationship drama, is Julio's cousin Rosa.