René Goossens

The Spijkerbergs are an absurdly rich family, but they are also richly absurd. The father – a foolish, hotshot financier – collects miniature dioramas of historical atrocities as a hobby. Mother is a has-been prima donna fighting against the vagaries of age and fame. Inheriting their privilege and casual cruelty is daughter Amy, a rebellious if somewhat insular teenager longing to break out of her gilded cage. To gain a semblance of control over her cocooned existence, Amy produces an autobiographical mock-Kabuki performance that parodies her family.

Sixteen-year-old Anne grows up in the isolated Biesbosch area, where spacious fields and power pylons define the landscape. With a group of friends, she spends a sultry summer holiday there trying to make the leap to maturity. But this shared experience turns into a conflict situation when Anna develops feelings for the tough girl Lena. Coming-of-age drama about growing pains, the inevitable end of childhood and choosing your own life - no matter how confusing your environment may find it.

Following her mother's death, an 11-year-old indigenous Australian girl named Shay moves with her father and brother to Belgium. Shay finds that her grief is readily accepted in her new town, which still bears scars from World War I.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

In Holland, a group of Armenian terrorists have swung into action, murdering a Turkish intelligence agent and holding his son for ransom. As the battle of wits between the terrorists and the Dutch police plays itself out, an author from Armenia living in Rotterdam finds himself following the events as he thinks back on his life in his homeland, indulging in fantasies about his past, his future, and his obsessions.

Incredible optical illusions in a story in a story in a story helps the surprised viewer finally to find out that he has been watching himself all along.

The parents of five sisters have been married for forty years; the daughters have gathered in the family beach house to make a video for them. The encounter is marked by many confrontations as well as cheerful moments. Reminiscent of the sweet children's poems that mother recited are countered by Elsschot's Marriage: 'He thought: I'll kill her and set light to the house...' It also turns out that father had once disappeared for eighteen months, a 'secret' that the daughters have different ideas about. Brittle, an intimate film version of a play written and performed by the same actresses, is about rivalry in a family, the right to silence, but also about the need for solidarity. At the Netherlands Film Festival in 1997 the Golden Calf for Best Actress was awarded to the five actresses together.

De Kersenpluk tells the story about Jan visiting his grandfather for the last time during the summer in a little village in Drenthe. Thanks to Jan, his grandfather decides to do what he never dared during his entire life. Jan, as an outsider, is some sort of spectator of the life in the village, although he is also involved in that life.

A biography of Isabelle de Charrière and her friendship with Benjamin Constant.

Six people are about to undertake a journey by foot from the very north of the Netherlands to the very south, in search of the mountains. Only two of them reach the destination.