Paco Ibáñez

出生 : 1948-01-01, Mexico City, Distrito Federal, Mexico

死亡 : 2008-10-09

参加作品

Atlantis al Rescate
El regreso del pelavacas
Viola Chilensis
Self
El callejón de los cholos
Mendoza
Cuando calienta el sol
Sueño de luces
No se puede con la risa
The fifteenth entry in the sketch comedy series.
De ladito me da risa
The sixteenth entry in the sketch comedy series.
La risa calientita
A series of comedy skits performed by Pedro, Pablo y Paco.
La buenota risa
A series of comedy skits performed by Pedro, Pablo and Paco.
Me ganó la risa
Sketch comedy performed a trio of performers.
Más sabroso con la risa
Comedy skits and pranks on unsuspecting victims, filmed on location at the beach.
Mecánica Mexicana
La Risa En Vacaciones 7
La Risa En Vacaciones 6
The seventh installment in the original vacation prankster film series.
La risa en vacaciones 5
Suerte en la vida (La Lotería III)
Five stories that tell the tale of winning the lottery in Mexico and how it changes lives.
La risa trabajando
A series of comedy skits performed by some of Mexico's more popular comedians and actors.
¿Dónde quedó la bolita?
The singing group "Garibaldi" go to Ixtapa.
La risa en vacaciones 3
Paco
Funny candid camera in which some droll performances depicting real life situations are interspersed artists.
La risa en vacaciones 2
Second installment of the jokes crazy laughter.
Doble venganza
Deliciosa Sinvergüenza
Agente 43
The nice wit and the Lucerito's skill to transform and to change constantly of personality, confuse three lunatics and crazy agents of the international service that pursue with great earnestness to the dangerous and mischievous delinquent, causing amusing situations.
Goza conmigo
Me muero de la risa
A film full of comedy skits of all kinds.
La risa en vacaciones
Comedians play pranks on unsuspecting people vacationing at the beach.
Después de… Segunda parte: atado y bien atado
The second part of the documentary "Después de...", "Atado y bien atado" presents the sensitivity that existed in different areas of Spanish society in its young democracy concerning its future, where the fear of a sector was underlying ultra-conservative before the construction of a different country and that already announced the attempted coup d'état of February 1981. Without a doubt, this work —which could not be released until 1983— places Cecilia Bartolomé and her brother as precursors of the social documentary that will have an enormous development and that today continues to be crucial in Spanish film production.