The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
Mauro, Noel and Broco have been an inseparable group of friends since grade school. All grown up, their lives are not what they hoped they would be. Life has become so routine that they do nothing more than wait for the weekends to drink themselves into oblivion. One night, a chance encounter leads the group on a wild and deadly chase from Santiago's most dangerous crime boss... Forced to make increasingly risky decisions, their frantic, adrenaline fueled desperation brings them closer to a violent, life-changing end where the friendship will be changed forever.
Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.
Twenty years of Chile in a bathroom. This movie is a fiction that showcases from a security camera, all the cultural and social changes in Chile between the years 1968 and 1988.
A Montevideo journalist discovers that the murder of a boy from the slums near the vineyards had political reasons, and was not an isolated incident. Developing a friendship with the victim's older brother, and then the entire family, the journalist tries to get to the bottom of this case. It is not the only case of summary executions of young poor boys in this vineyard, but nevertheless few people really want to challenge the powerful owner of the vineyards.
