Eisenstein gets in trouble for shooting a grouse. He is told that he must go to prison for his crime. However, his friend has invited him to an aristocratic ball. Eisenstein, despite being married, wants to go to the ball to meet women. Eisenstein lies to his wife. He tells her that he is going to prison but actually he goes to the ball. His story arises the suspicion of his wife. His wife devises a plot to catch her womanizing husband.
1925년의 파리. 질베르트 발랑드레이는 사업가 조르주와 행복한 결혼생활을 하고 있다. 그러나 그녀는 아를레뜨에게 남편을 사랑하지만 다른 남자에게 관심이 있다고 고백한다. 한편 위게뜨 베르베리는 질베르뜨가 좋아하는 남자와 결혼하려고 한다. 여기에 미국인 사업가 에릭이 끼어들고, 바야흐로 복잡한 애정관계가 얽혀든다.
우아한 소프라노 르네 플레밍이 이 레하르의 오페레타에서 독특한 매력으로 온 파리를 사로잡은 팜 파탈을 연기한다. 이번 새 프로덕션의 연출은 브로드웨이 최고의 연출가이자 안무가의한 사람인 수전 스트로먼(, , )이 맡았다. 줄리언 크로우치(, )의 디자인 팀, 의상디자이너 윌리엄 아이비 롱(, , )의 의상이 스트로먼의 연출과 함께 아르누보 무대를 창조한다. 전설적인 카페 ‘막심’에서 쇼걸들이 노래하며 춤추는 장면은 이 프로덕션의 백미다. 바리톤 네이선 건이 다닐로 백작 역, 켈리 오하라가 발랑시엔 역을 열연하고, 앤드류 데이비스가 지휘봉을 잡는다.
A shy young man with a passion for opera has his world turned upside down by a con artist who really does have a heart of gold.
Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.
In 1890, Gus Sascher joins the Austrian Army and romances the impoverished girl Elsa Hofner. Elsa instead marries the wealthier officer Franz von Renner, in an attempt at social climbing.
Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.
The story: While her husband is becoming famous in the war, the marshal of Werdenberg's wife consoles herself in the arms of the youngster Octavian and tries to arrange the love affairs of her cousin, the baron Ochs, by presenting him to young Sophie. This baron is taken with her and the Marschallin proposes Octavian to be his "Rosenkavalier" in order to present the traditional silver rose to his fiancée. But youngsters are youngsters and sex hormones hold sway over the whole world so for that reason immediately Octavian and Sophie fall in love with each other…
In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a strolling minstrel who loves the beautiful Yum-Yum. But Yum-Yum is also loved by Ko-Ko, and Nanki-Poo, seeing no hope for his love, considers suicide. Ko-Ko offers to solve both their problems by executing Nanki-Poo, and an agreement is reached whereby Ko-Ko will allow Nanki-Poo to marry Yum-Yum for one month, at the end of which Nanki-Poo will be executed, in time for the arrival of the Mikado. But what Ko-Ko doesn't know is that Nanki-Poo is the son of the Mikado and has run away to avoid a betrothal to an old harridan named Katisha. The arrival of the Mikado brings all the threads of the tale together. This is the Stratford Festival of Canada, directed by Brian Macdonald. This is a filmed version of a stage performance, and the sets are beautifully spare and economical.
Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.
A story of three struggling artists: a painter, a poet, and a composer, living in a bohemian Montmartre district of Paris. They help a poor flower girl, Violette, to find shelter, when she is thrown out by her landlord.
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.
Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this live television special became an annual Christmas tradition with rotating cast members.
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.
This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.
As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.
