베트남 전쟁에 반대하는 자들의 입장과 관련 맥락을 뉴스 영상 등과 영화 그리고 실제 인물들의 인터뷰를 통해 알아본다. 어떻게 미국의 인종차별주의와 독선적인 군국주의의 기조가 이 끔찍한 사태를 야기하고 이끌었는지를 보여준다. 또한 베트남 사람들의 목소리로 전쟁이 그들에게 미친 영향과 왜 그들이 미국과 서양에 맞서 싸우는지에 대한 이야기도 들어본다.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.
Lizzie Lovejoy’s mini-documentary explores the world of non-traditional performance spaces, especially in the Tees Valley and celebrating the fantastic work they do. Lizzie spoke to Bobby Benjamin, artist and curator of Pineapple Black in Middlesbrough, about the exciting range of work the gallery has housed over the past couple of years during festivals, exhibitions and events. And from Redcar Palace Art Gallery, director James Beighton and curator Beth Smith of Tees Valley Arts discuss how the venue is used to create works as well as share them, and why accessibility has become one of their main focuses.
People connect to performance in different ways than visual art, but both can be incredibly powerful and influential. Using local creative spaces to pull both together highlights how fantastic our local cultural community really is.
This is an Art Mouse film for NARC. TV, written and directed by Lizzie Lovejoy.
군사 점령이란 무엇인가? 아비 모그라비 감독은 군사 점령에 참여했던 군인들의 증언을 경유하여 식민주의적 점령의 작동 방식에 대한 통찰을 보여 준다. 54년간 이스라엘이 자행한 팔레스타인의 웨스트 뱅크와 가자 지구 영토 점령을 통해, 감독은 군사 점령의 매뉴얼을 그려 나간다.
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
A documentary road movie with René Vautier
In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
The first fictional feature film produced in Algeria after independence, this film addresses one of the most worrying problems: that of childhood. Children, freedom regained, do not yet know how to play “at peace”, they naturally play “at war”.
A film by Sarah Maldoror
Feature film.
Directed by Ghaouti Bendedouche.
This luminous, visionary opera tells the story of how Mahatma Gandhi developed the philosophy of satyagraha, nonviolent active resistance, as a political revolutionary tool to fight oppression, connecting his lifework to three historical figures who advanced his philosophy: the celebrated Russian writer Leo Tolstoy, the great Indian poet and philosopher Rabindranath Tagore and the heroic American civil rights leader Martin Luther King. The libretto is comprised of passages from “The Bhagavad-Gita,” India’s greatest philosophical epic, and perfectly complements Glass’ ravishing score, mysteriously transporting the audience with a serene power and an all-encompassing sense of peace.
This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.
Visual artist Daniela Torres creates colorful ceramic dick sculptures inspired by the men who have been dicks to her. In this intimate artist portrait, Daniela shares her struggles, anger and catharsis as she creates a sculpture modelled after a series of unsolicited dick pics. She also shares her process with a diverse group of women who come together in one of her popular Berlin-based dick sculpting workshops. It's a hands-on approach to healing trauma that yields beautiful results.
