We, the Music (1964)

Dr. Charon and his group of mad scientists built a neutron bomb with trying to blackmail the free world for global power. But the hero appears, Neutron, who, with the help of Dr. Thomas and reporter Nora spoil those plans.

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

Shiro and Keita didn’t manage to enter university and are stuck in their hometown delivering newspapers. Shiro persists on finishing a film they started, but Keita is not very enthusiastic.

Brief, fragmented memories of Rohmer spoken by Godard, while the screen shows various titles of articles Rohmer wrote for Cahiers du Cinema.

이윤을 넘어 오직 인간만이 창출 가능한 가치에 대해 논하는 올해의 주목해야 할 포르투갈 영화. 야음을 틈타 기계들이 반출되자 공장 노동자들은 일자리를 잃을까 봐 노심초사한다. 노사 간에 충돌이 일어나고 공장은 반쯤 비게 된다. 하지만 이와 동시에 새로운 비전도 보이기 시작한다. (2017년 제22회 부산국제영화제)

천재 시인 로렌조 다 폰테와 천재 작곡가 모짜르트의 운명적 만남! 신부가 되려던 다 폰테는 방탕한 생활로 베니스에서 추방당한다. 다 폰테의 시적 재능을 높이 산 카사노바의 도움으로 음악의 도시 빈에서 새로운 인생을 시작한 그는 모짜르트와 함께 오페라 ‘피가로의 결혼’으로 큰 성공을 거두지만 그의 자유로운 생활은 계속된다. 다 폰테의 성공을 축하하던 카사노바는 자신을 모델로 ‘돈 조반니’를 새롭게 만들 것을 제안하고, 다시 한번 최고의 오페라를 만들기 위해 고심하던 그는 모짜르트를 설득해 오페라 작업을 시작한다. 아름다운 여인 아네타의 마음을 얻기 위해서라면! 베니스에서 아쉽게 헤어졌던 아네타와 우연히 재회한 다 폰테는 아름답고 순수한 그녀의 매력에 빠져든다. 용기를 내 아네타에게 사랑을 고백하지만, 지난날 그의 자유로운 여성 편력에 진심을 믿지 않고 냉정히 돌아서는 그녀... 다 폰테는 아네타에게 자신의 진심을 전하기 위해 새로운 결말의 ‘돈 조반니’를 써내려 가기 시작하는데…

Accompanied by the insistent shrilling of an alarm clock and by two love songs, a young man struggles to wake up.

Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.

문화혁명 기간 중 가장 격렬했던 1966년의 중국을 담은 민간인의 필름이 발견되었다. 이를 바탕으로 20세기의 혁명기를 돌아보면서 1968년의 프랑스, 체코슬로바키아, 브라질의 이미지를 통해 강렬했던 시간에 관해 이야기 한다. (2018년 제19회 전주국제영화제)

Sune, a dropped out theology student who also is the son of a priest, meets Viveka in a church. The two connect via a theological discussion and eventually get married. As the years pass, Viveka grows more and more emotionally unstable due to jealousy and religious anxiety. Sune accepts Viveka's mental problems and, instead of seeking help for his wife, obeys her increasingly bizarre commands.

HIGH SCHOOL II is a film about Central Park East Secondary School (CPESS), a successful alternative high school in New York's Spanish Harlem, 85-95% of whose graduates go on to four year colleges. The film illustrates the school's emphasis on the “Habits of Mind” program (weighing evidence; awareness of multiple points of view; seeing connections and relationships; speculating on possibilities; and assessing values.) Sequences illustrating the school's approach to learning include: classroom activities in the humanities and sciences; family conferences; discussions of race, class, and gender; faculty meetings; disciplinary problems; sex education; conflict resolution by students; and student council meetings.

An anthology film following different stories around the theme of invisibility in the modern world.

Albert grew up on an isolated mountain farm in the middle of nowhere in the Alps. Although he’s already in his 30s, his omnipresent mother Marianne still pulls the strings in his life. Not intentionally and only because of his mother’s pressure, Albert went to live in the nearby valley to make his living in a marble quarry. Marianne wants to protect him from the poor and lonesome life on the mountain and is even willing to denounce their bonds to the tradition of the farm, that has existed over centuries. Like an abandoned animal that keeps coming back to its territory, the introverted farmers son keeps sneaking back to the mountain as often as possible. When his father dies accidently whilst repairing the roof, Marianne fears, that Albert will take over the role of his father and return to the farm. Instead, she decides to hide the death from Albert and the outside world—and buries his corpse on the mountain.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.