Iñigo (2021)

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

Short experimental film by Jordan Belson

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.

The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.

"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood

short film by Guy Sherwin

Someone stuck inside a shell struggling to find a safe space.

After a job goes wrong, a woman flees to her hometown in southern Colombia. Along the way she encounters a mysterious figure, which might be the embodied spirit of an ancient plant. A non-linear video installation uses experimental animation to tell a story about psychotropic plants, crime and Colombian society.

In two blank rooms, two figures battle using stagnant movements and mouthless words.

An attempt at “total art” performed during the 2020 lockdown.

In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.

A honeymoon in Japan gets examined microscopically through comics, cards, magazines, and more in this delightful animated film.

In this animated video Shiboogi, American artist Takeshi Murata transforms TV commercials from the 1980s that he had discovered by chance in a record store in Japan. Just as commercials pop up on television screens for 30 seconds and then fade from memory, the imagery used by Murata pixelates and melts into a colorful digital sea. Takeshi Murata produces extraordinary digital works that build upon the experience of animation. His innovative practice and processes range from intricate computer-aided, hand-drawn animations to manipulating the flaws, defects and broken code in digital video technology. He alters appropriated footage from vintage horror films, commercials and movies, and creates fields of color, form and motion, redefining the boundaries between abstraction and recognition.

A found-footage film made entirely from Academy leader, which is normally used to cue the start of films. The film was hand-printed on a home-made contact printer. It was rolled back and re-printed several times over, to create a complex layering of both image and sound.