José Buil

출생 : 1953-03-19, Celaya, Guanajuato, Mexico

약력

Director, screenwriter and editor. He left the career of Surgeon to enter the career Journalism and Collective Communication at UNAM. Founder of TAPOSIN and "Tintero" and "Sitios" magazines, he practiced cultural journalism and film criticism in "El Nacional", "La Revista de la Universidad" and "Su otro yo". In 1977 he entered the CCC (Cinematographic Training Center) where he made, in that same year, the documentary "My unemployed friends" and the fiction films "Notes for other things" (1978) and "Endre in the city" (1979), all short films made as exercises. In 1981 he filmed his thesis film, the medium-length film "Goodbye, goodbye my idol", which served as rehearsal for "The Legend of a Mask" (1989), a parody that reviews the common places of the wrestling cinema and with which he debuted professionally, receiving Ariel for Best First Film in 1991. He collaborated in "I Know Three" (1983), an independent medium-length film made by his wife, Maryse Sistach, for whom he also adapted and edited "The Steps of Ana" (1988 ), adapted "Last night I dreamed with you" (1991), based on the story of Alfonso Reyes "The creative revenge", and with it co-directed "The paternal line" (1995), story between the academic documentary and poetry, between the anthropology, autobiography and the intimate family remembrance from the rescue of homemade films filmed by his grandfather between 1925 and 1940 in Papantla, Veracruz; the film was part of the Official Selection of the 52nd Venice Film Festival; It was exhibited at the Museum of Modern Art in New York and in the European museums of the Guggenheim Foundation, and won the Arieles for Best Original Screenplay, Storyline and Documentary Feature, as well as the Jury Prizes at the Trieste Festivals, Bogotá, Uruguay and the one of Best assembly in Gramado, Brazil. In 1997 he made for the UNAM the documentary video "The Ballad of John O'Reilly", about the participation of the Battalion of St. Patrick in the war of 1847 against the USA. He co-directed, again with Sistach, "The Comet" (1988), a film set in 1910 that is inspired by the life of the pioneers of Mexican cinema to narrate the formation of a filmmaker. That same year he received the Best Latin American film award at the San Juan Festival, Puerto Rico. In 2000, he produced, adapted and edited "Perfume de violetas" by Maryse Sistach, with which he obtained the Ariel for Best Original Screenplay. Since 1998, he is an Active Member of the Mexican Academy of Motion Picture Arts and Sciences, A.C.

참여 작품

Crimes of the North Sea
Screenplay
Year 1942 in Mexico City, Goyo Cárdenas studies biology and has a beautiful girlfriend, but Goyo also has some contained violence about to explode on the brink of World War II.
Crimes of the North Sea
Director
Year 1942 in Mexico City, Goyo Cárdenas studies biology and has a beautiful girlfriend, but Goyo also has some contained violence about to explode on the brink of World War II.
Doctor Funes Formula
Screenplay
Martin, a child of the 21st century, through his telescope discovers Doctor Funes, the inventor of a formula to become young again and the envy of Doctor Moebius, who also wants to regain his youth. Martin goes to visit old Funes, but instead finds twelve year old Pablo, whom he shelters in his house without telling his parents what is going on. Pablo turns the biology teacher into a baby girl with a pacifier, and a group of the elderly into children. Martin dreams of a world of only children, but Doctor Moebius steals the formula, not knowing that its effects are unpredictable.
Doctor Funes Formula
Director
Martin, a child of the 21st century, through his telescope discovers Doctor Funes, the inventor of a formula to become young again and the envy of Doctor Moebius, who also wants to regain his youth. Martin goes to visit old Funes, but instead finds twelve year old Pablo, whom he shelters in his house without telling his parents what is going on. Pablo turns the biology teacher into a baby girl with a pacifier, and a group of the elderly into children. Martin dreams of a world of only children, but Doctor Moebius steals the formula, not knowing that its effects are unpredictable.
El brassier de Emma
Writer
It was the year of 1962 when I turned 12 and my breasts began to grow. Cecilia, my sister, went to study in Paris, I was left alone with my parents and their problems. I discovered that the breasts made men and women crazy, while mine began to draw the attention of my friends without adults realizing that I needed a bra.
An Egg-celent movie
Script Supervisor
A small egg named Toto decides that he wants to fulfill his purpose in life and become a chicken instead of dying in a frying pan; so he starts a quest to return to the farms along with his new friend, the noisy egg Willy and a crazy bacon stripe. The three friends will face lot of obstacles in their quest.
Manos Libres
Director
Two students at a Mexico City university are desperate to attend an Acapulco rave — so desperate that they’ll kidnap a girl to raise the funds to get there.
Violet Perfume
Editor
A poignant and moving urban drama, focusing on the growing problem of sexual assault in Mexico City. Director Sistach fictionalizes the true story of a friendship between two adolescent girls which is torn apart when one of them is brutally raped.
Violet Perfume
Producer
A poignant and moving urban drama, focusing on the growing problem of sexual assault in Mexico City. Director Sistach fictionalizes the true story of a friendship between two adolescent girls which is torn apart when one of them is brutally raped.
The Comet
Director
After witnessing the arrest of her father for publishing "subversive" material against the dictatorship of Porfirio Díaz, Valentina escapes taking a sack of gold coins with her in order to hand it over to rebel Francisco I. Madero, who is in San Antonio, Texas. That is how Valentina begins a long journey as a member of a traveling circus, where she finds love next to Victor, who, fascinated by the cinematographer, films everything that occurs before his eyes, in times of great political turbulence.
The Comet
Screenplay
After witnessing the arrest of her father for publishing "subversive" material against the dictatorship of Porfirio Díaz, Valentina escapes taking a sack of gold coins with her in order to hand it over to rebel Francisco I. Madero, who is in San Antonio, Texas. That is how Valentina begins a long journey as a member of a traveling circus, where she finds love next to Victor, who, fascinated by the cinematographer, films everything that occurs before his eyes, in times of great political turbulence.
The Paternal Line
Editor
Family movies, shot with a 9.5 mm Pathé Baby camera, let us know traditions, customs, joys and sorrows of a Mexican family from the 1920s to the 1950s.
The Paternal Line
Screenplay
Family movies, shot with a 9.5 mm Pathé Baby camera, let us know traditions, customs, joys and sorrows of a Mexican family from the 1920s to the 1950s.
The Paternal Line
Director
Family movies, shot with a 9.5 mm Pathé Baby camera, let us know traditions, customs, joys and sorrows of a Mexican family from the 1920s to the 1950s.
Dreaming About You
Writer
Two teenage friends spend their summer break preparing for the sexual conquests they hope to experience. That is, until one of the boys is visited by his older, more sexually aggressive cousin, Azucena. Ushering her naïve cousin into the world of sex could take more work than Azucena realized.
Los pasos de Ana
Writer
A divorced mother decides to do in life what she always wanted: To become a movie director. So she sets out to film every single thing that occurs in her everyday life
The Legend of a Mask
Screenplay
A reporter starts investigating the life of the recently deceased wrestler "The Masked Angel"
The Legend of a Mask
Director
A reporter starts investigating the life of the recently deceased wrestler "The Masked Angel"
Adiós, adiós ídolo mío
Editor
A strange fantasy about the decadence of the Mexican wrestler "El Santo, The Man in the Silver Mask".
Adiós, adiós ídolo mío
Screenplay
A strange fantasy about the decadence of the Mexican wrestler "El Santo, The Man in the Silver Mask".
Adiós, adiós ídolo mío
Director
A strange fantasy about the decadence of the Mexican wrestler "El Santo, The Man in the Silver Mask".
What if we talk about August?
Editor
It tells the story of two young people who, in the context of the 1968 student movement, awaken to love life and social conscience.