Miguel Ríos

Miguel Ríos

출생 : 1944-06-07, Granada, Spain

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Miguel Ríos

참여 작품

Raphaelismo
Enrique Morente: flamenco impuro
Self
Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.
La corte de Ana
Himself - Singer
She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.
Víctor Manuel: el abuelo Víctor
Mi vida entre las hormigas
Documental film about Jorge Martínez, leader of the spanish rock band Ilegales.
Los pájaros no tienen vértigo
The director of the film suffers from a vertigo attack in a hot air balloon. From that point on, an investigation begins in which he delves into his personal universe to try to understand his new phobia.
Though You May Not Know
Self
An account of the life and work of the Spanish poet Luis García Montero; a journey through his experiences, his mentors, his influences and his contact with other artists, both from the literary world and from other disciplines.
Las Calles Siguen Ardiendo
Bajo la Corteza (26 canciones de Leño)
Himself
50 años de... Canciones
Himself (archive footage)
El gusto es nuestro
Ana Belén y Víctor Manuel: mucho más que dos
Miguel Rios: Rock and Rios
Production Artist
Miguel Ríos: Rock & Ríos
Das haut den stärksten Zwilling um
A comedy directed by Franz Josef Gottlieb.
Hamelín
Franz
Dos chicas locas locas
Miguel 'El Guitarra'
A millionaire leaves all his fortune to his older granddaughter. But his two granddaughters are twins and nobody knows who's the older one is.
ESE EME: The Unauthorized History
An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.