Rosario Bléfari

평생을 일해 온 도서관에 새로운 관장이 부임하자, 릴라와 그녀의 동료들은 정리해고의 위기를 맞는다. 하지만 가장 큰 걱정은 그녀가 도서관 지하에서 임의로 운영해왔던 직원식당의 존폐위기다. 큰 용기를 내서 아예 정식 카페테리아를 만들기로 작정하지만, 성공적인 비즈니스로 보였던 계획은 예상치 못한 난국에 처한다. 여성노동자들의 삶과 불안, 계층간 갈등을 코믹하면서도 냉철한 시선으로 바라보는 영화로, 릴라 역의 릴리아나 후아레스는 2019년 마르델플라타국제영화제에서 여우주연상을 수상했다.

In One Hundred Paths: Suárez. Second Part the director accompanies Gonzalo, Rosario, Fabio and Diego thorugh Europe. The approach to the private world of the band continues in the old continent, but the best thing about this follow-up is the contagious excitement of the group on tour.

Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.

출산을 앞두고 있는 사진작가 이네스는 사진집 발간을 위한 막바지 작업에 한창 몰두하고 있다. 사진집은 실종된 아버지에 대한 것으로, 작업하는 매 순간 이네스는 아버지를 떠올리며 과거의 기억과 현재를 오간다. 1976년 아르헨티나 군부 독재 시절에 아버지가 사라진 후 겪게 된 오랜 상실과 강박, 그리고 남은 가족들의 아슬아슬한 갈등과 연대를 그린 작품으로, 밀라그로스 무멘탈러는 과달루페 가오나의 사진 시집에서 영감을 얻었다고 한다.

From a screeching lo-fi sound to luminous pop songs; from a split with Juana La Loca to a Le Mans tribute EP; from a cassette tape with a red star in the groundbreaking film Rapado to the lead singer's main role in Silvia Prieto. In sum: from 1989 to 2001, Suárez rode the scene and stages of Argentine indie rock with great freedom, elegance and intelligence. Also during all those years, its members recorded on video many of its intimate moments and public tours. Blanco wisely sticks to organizing and polishing that analogic repertoire without adding anything else, and he lets Suárez dazzling mystery reveals itself slowly amidst jokes, music videos, dodgy video-camera effects, and lots and lots of other answering machines.

Sergio and his family work in an estate in Argentina’s northern region. When their employers aren't home, they occupy the main house and emulate the life of the owners. Then Pia, the eldest daughter of the owner, arrives at the estate with the intention of staying a few days until her father’s marriage...

During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.

Boris is stunned when his girlfriend Ana asks for some time apart. He doesn't know why and she can't explain it. Some time can mean so many things. How much time apart? A week, a month, years? During this imprecise period of uncertainty, Boris is left at the mercy of chance. His life transforms into an erratic urban journey: moving into a transient hotel, buying a temperamental communist-era car, meeting up with a long-lost classmate, random encounters with other women and repeatedly trying to get back together with Ana.

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.

Dreams and reality mix-up in the life of a middle class woman in his 20s who is depressed and distressed.

In a city of the too near future, a city designated for desolation, aggression, and political instability, Miguel Galvan (Hugo Soto) is shot accidentally during a demonstration. This time and space provides a back drop to an intriguing sequence of events where three characters try desperately to survive: the wounded Miguel, an antagonistic policeman (Juan Leyrado), and a foolish vigilante smartly acted by cult rock star Charly Garcia of Sui Generis and Serú Girán fame, who also composed the film's score.