Fatima Ben Saïdane

Najet, whom the doctors say that she will die soon, thus, she decides to take the rest of her life head-on, instead of giving in to self-pity.

In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.

The film tells the story of a man, Aly, in need of a child, back in his native country to marry his first cousin - a marriage arranged by their respective parents.

Many films have dealt with immigration over the past two decades, but most have dealt with it from the point of view of the immigrant or the place where the migration took place. Sara Abuidi’s Benzine deals with the issue from the point of view of those who stayed behind, through the eyes of parents who have not heard anything about their son for nine months since he moved to Italy. Salem and Halima are looking for their son who went missing a few months ago. He illegally immigrated to Italy a few days after January 14, 2011. The couple is pursuing a relentless and desperate quest that disrupts their existence. The film takes place in the South, an arid and austere landscape, a deep Tunisia where contraband and socio-political tension rub shoulders

The story of the dysfunctional Tounsia family where Zakia, the matriarch of the family loves her son Selim to the point of enslaving the rest of the family. And the rest of the family just want one thing, and that is for Selim to get married and be out of their lives forever.

In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC

While Mehdi is torn between his secret gay affair and the perspective of getting married, his sister Hind struggles to face her present and to reveal the secrets of her past kept in the dark.

Qmar, a young blind woman, is embroiled in an election fraud operation, she lets herself to be dragged into it until she decides to denounce it. The group of fraudsters does not hesitate to react violently and kidnap her.

A fake producer, an armed group, masked bearded under the guise of religion and a corrupt cop in a place that is not precisely specified but whose words originate in one of the countries of the Arab Spring after a revolution benefiting from a situation where everything is allowed and with impunity. Sultan, a shabby little crook has finally found a way to amass a good little bundle of money. His combination is the Star Academy, or rather, his Star Academy has him - He organizes a large cast in order to strip all the budding young stars and, of course, many people are scrambling to participate in this casting Very peculiar. But, Sultan is out of luck. A mysterious group takes the money collected in this evening. The men in the group are not lucky either; they lose money on the way. Chief Hedy, a corrupt policeman, will be on his way to find the money no matter what means to achieve it.

A new cinematic vision puts the psychological and social disintegration of family relationships under the microscope. The decline of human feelings in front of the tyranny material force and the breakdown of family ties open the door to opportunism and greed in order to acquire more money, causing the killing of human feelings and turns members of one family to enemies.

This fable tells of an old fishmonger who dies and resuscitates several times. The man is a despicable character and his resurrections gives rise to general curiosity. But superstition soon takes over in the villagers’ hearts, they believe nature should reclaim its rights.

A Tunisian breakdancer falls in with fundamentalists with designs to turn the young man into a suicide bomber.

왕자를 시중들던 하녀의 딸 알리아는 왕자의 부고를 받고 10년 전 떠났던 궁전을 찾아간다. 그곳에서 알리아는 계급은 물론 성적으로도 종속되어 있던 엄마의 어두운 삶과 그로 인해 혼란스러웠던 자신의 어린 시절을 회상한다. 튀니지아가 프랑스 식민치하에서 벗어난 후 한 소녀의 성적 정체성의 혼란을 그린, 튀니지아 출신의 여성감독 무피아 틀라틀리의 첫 데뷔작. 아랍 여성 영화사에 한 획을 그은 작품으로 억압 받는 여성의 해방과 권리 찾기를 보여준다. 궁전의 제일 밑바닥 공간인 부엌은 여성들의 삶의 공간이자 자유의 공간이다. 감독은 1950년 독립 이전 프랑스의 속국이었던 튀니지의 이국적인 정취와 무슬림 전통을 매력적으로 담아내면서 페미니즘적 관점으로 여성의 위치와 남성 특권에 대해 조망한다. 1994 토론토 영화제 비평가상 수상. 1994 칸느 영화제 특별 언급.

A community of people rejected by society live in an abandoned residence located in a "Medina": an old town in Tunisia. Al Bab, a local criminal running the residence's prostitution circle, returns from prison on his wedding day. Fraj, his brother and the town warlock, falls in love with Ramla, his brother's future wife: He is the only man of the residence who has seen her face, as she is kept prisoner in one of the rooms until the wedding night.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

Directed by Fahdel Jaibi and Fadhel Jaziri.

A fiction feature exploring what it means to be born an intersex person in Tunisia. Shams must live in the shadows. At 23, life is steeped in secrecy and an unimaginable pain. Stripped of the right to exist, Shams is shunned by true love and rejected by society's rigid norms and expectations.