Charles Pathé

The extraordinary life of cinema pioneer Segundo de Chomón.

Nicole Védrèss' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

열차 기관사인 시지프는 전복사고 현장에서 고아 소녀 노르마를 발견하고 몰래 집으로 데려온다. 엄마 없이 자란 아들 엘리와 노르마를 함께 키우려던 그의 욕심은 비극을 낳는다. 어느 날 시지프는 노르마에 관한 비밀을 고위 관료인 에르상에게 털어놓는데, 노르마를 탐한 에르상은 비밀을 빌미 삼아 그녀와의 결혼을 요구한다. 어느새 노르마를 남자로서 흠모했던 시지프는 힘겹게 그녀를 떠나보내고, 노르마에 대한 애정을 간직해온 엘리 또한 사실을 알게 된 뒤 좌절감에 빠진다. 정작 노르마 자신은 비밀을 모르는 가운데, 한 여자를 사랑한 세 남자는 지옥 같은 현실에서 벗어나지 못한다.

The Thames, although insignificant compared to the rivers of the continent, has its own charm that painters and poets like Turner, Bonington, Eugène Delacroix, Whistler and Seymour have tried to render on paper or on canvas. In this film no grandiose scenes, just a river of silver flowing placidly between low banks, covered with trees. Here and there we pass through delightful little towns until we get to Windsor and dock in the shade of its famous castle.

Fernand Pradier (Gabriel Signoret) is an honest merchant and a simple person at heart who tries to make her daughter Germaine (Gabrielle Robinne) happy. She is engaged to a rich banker St-Bris (René Alexandre). However, the fiance once belonged to a criminal organization and, despite his efforts of rehabilitation, one of his ancient accomplices makes their engagement impossible. Eventually imprisoned, she escapes with the help of a beautiful typist (Stacia Napierkowska)...

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

A science fantasy film that deals with an extraordinary race to the north pole by rival parties of balloonists. Based on the novel "The Adventures of Captain Hatteras" by Jules Verne.

Early short film adapted from the Bible (Judges 4-5)

The carrot caterpillar hides among and feeds on the leafy foliage in carrot fields. A man demonstrates how difficult it is to detect and remove them from the carrot plants. They propel themselves with their six feet and twelve suction cups. To ward off enemies, they display two horns which secrete a malodorous liquid. Before the chrysalis stage of their development, they attach themselves to a surface and two days later burst from their shell. After spending the winter as a chrysalis, they emerge as swallowtail butterflies. Once they have bathed their wings in dew and dried off, they are ready to fly. (Library of Congress)

Recommended by a friend of the Ambigu Theatre, Max is summoned to Joinville studios. His first role is that of a husband who comes home late.

Jean Comandon, pioneer of microcinematography, recorded this time-lapse film in c. 1910, using a ultramicroscope. The film show living spiral shaped syphilis bacteria moving among red blood cells of frog. Notice the back-and-forth movement, characterizing the disease-causing form. (Wikipedia)

Native British birds, from common gulls and cuckoos to the rare Richardson's Skua, are filmed in their natural habitat.

This two-shot newsreel fragment surveys the scene at a Votes for Women protest on Trafalgar Square in the summer of 1910, when suffragists of the National Union of Women's Suffrage Societies presented petitions signed by supportive menfolk of Britain's towns and cities. (Edward Anderson, Make More Noise! Suffragettes in Silent Film)

This was one of the earliest mass marches organised by the suffrage movement, and up to 15,000 women marched from the Embankment to the Albert Hall to hear speeches from Christabel Pankhurst and other suffragette leaders (Ros Cranston, Make More Noise! Suffragettes in Silent Film).

A magician and some assistants put up a series of posters of music hall acts in a frame. Then the magician brings each poster to life.

A train arrives at the station.

A train ride with a view from the back of the train.