Viera Čakányová

Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.

Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.

Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.

Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.

Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.

'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.

'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.

'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.

'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.

'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.

기후 위기가 되돌릴 수 없는 지경에 이를 정도로 점점 더 긴급해지고 인공지능이 기하급수적으로 확장됨에 따라, FREM은 포스트 휴머니즘적이고 인간중심적인 사고의 현재 흐름에 대해 놀랍고 때로는 불편한 반응을 보인다. 독특하고 실험적인 다큐멘터리인 비에라 차카뇨바의 영화는 지구상에서 가장 아름답지만 극단적인 풍경들 중 하나인 남극해 연안의 킹 조지 섬에 대한 잊을 수 없는 그리고 미래주의적인 묘사를 제공한다.

기후 위기가 되돌릴 수 없는 지경에 이를 정도로 점점 더 긴급해지고 인공지능이 기하급수적으로 확장됨에 따라, FREM은 포스트 휴머니즘적이고 인간중심적인 사고의 현재 흐름에 대해 놀랍고 때로는 불편한 반응을 보인다. 독특하고 실험적인 다큐멘터리인 비에라 차카뇨바의 영화는 지구상에서 가장 아름답지만 극단적인 풍경들 중 하나인 남극해 연안의 킹 조지 섬에 대한 잊을 수 없는 그리고 미래주의적인 묘사를 제공한다.

기후 위기가 되돌릴 수 없는 지경에 이를 정도로 점점 더 긴급해지고 인공지능이 기하급수적으로 확장됨에 따라, FREM은 포스트 휴머니즘적이고 인간중심적인 사고의 현재 흐름에 대해 놀랍고 때로는 불편한 반응을 보인다. 독특하고 실험적인 다큐멘터리인 비에라 차카뇨바의 영화는 지구상에서 가장 아름답지만 극단적인 풍경들 중 하나인 남극해 연안의 킹 조지 섬에 대한 잊을 수 없는 그리고 미래주의적인 묘사를 제공한다.

Gottland provides an unconventional look at Czechoslovak 20th century history. Inspired by the bestselling book “Gottland” from the Polish journalist Mariusz Szczygiel, this feature-length film is comprised of short stories portraying peculiar fates. Young documentary film makers from renowned Prague Film School FAMU, inspired by the book, take a closer look at the history of post-war Czechoslovakia and Czech Republic, in order to discover new heroes and remind us of the ones that were forgotten or erased from the history.

Mrs O. tosses a chicken from her balcony. Mrs O. thinks her neighbor is a secret agent. Mrs O. has Alzheimer’s, but her pet name for her disease is “Alda.” With great humor, irony, and self-deprecating insight, this defiant and willful woman commentates on her own daily life in Prague. There’s a list on the door of friends and family members she’s allowed to let in even if she doesn’t recognize them. Sometimes she thinks she’s living under Communist rule, and she worries that if she doesn’t hang out a flag on Labor Day she’ll be arrested.

Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.

Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.

Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.

Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.