Nora
하루 아침에 난치성 질환 환자가 된 세르히오는 지금까지 의사로서는 느끼지 못했던 의료 시스템의 불편함과 부당함을 온몸으로 겪게 된다. 제대로 가눌 수 없는 몸뚱이, 치료비를 걱정하는 아내, 병간호 중에도 아웅다웅 하는 자녀들, 죽음의 공포 속에서 이제 그에게 남은 것은 자신의 경험담을 기록해 환자로서, 아버지로서, 그리고 인간으로서 존엄성을 회복하기 위해 애쓰는 것뿐이다.
평생을 함께 산 아나와 마리아. 말기 암 진단을 받은 마리아를 위해 숲속 나무집으로 이사한 이들은 그곳에서 자연스럽게 죽음이 다가오길 기다린다. 틀에 박힌 일과에 묻혀 지내던 커플은 자신들에게 찾아온 고통의 순간을 함께 이겨내며 다시금 사랑을 확인한다.
In a small house, in the middle of impossing Patagonia, lives Casimira (80), and old women with a friendly look who spends her days in the middle of different tasks in the field. Her daily life is hard and she must ask for help for some tasks, but in spite of everything she will keep her independence with conviction and she will start a final challenge.
Andrés' Mother
A young factory worker who has lost his way and forgotten his teenage dreams, will soon realize that although he hasn’t made the right choices, it’s still not to late to make amends; accompanied by a new friendship that will encourage him to move forward.
Vendor 2
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.
Sussi comes to the big city to find love and success.
Rosa de González
A friendship develops between a postman and Pablo Neruda in the village of Isla Negra village.
