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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.
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2 cars are seeking for each other, brushing against each other, slipping into each other.
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Variation on a fixed sequence of a corridor taken from Erick Rohmer’s Pauline à la Place. At the end of the corridor, there is a door that one can open or shot. This door and the action around it is the focus point to Rohmer’s film. In mine, the plot focus more specifically on the left door, the one we won’t see on screen.
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Railroad variations around sequences extract from a movie by Carlos Saura.
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Expeditious.
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Short film.
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Your fly is open.
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The subtitles respond to each other and remind us with joy and joy that if we live, it is to die.
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Holiday film where the camera has directly influenced the people filmed and has prompted a series of nude scenes.
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Get up from your chair so that we can see your ass.
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Analysing the movement from a pornographic film and exploring the reaction to it by contrasting it with a popular song. Drawing from the comparison of these extremes a new direction. - CJC
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An abrasive abstract film accompanied by a scratching drone.
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If you think you have seen everything then you are even blinder than I believed. - CJC
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Forms are born and die.
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Between the hat and the chandelier : the hat-chandelier. That’s...that's the long and short of it!
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"Friendship is the antechamber of love" André Gide.
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Music avant-garde seen by french traditional cinema.
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Nothing to do with Jean-Pierre Melville.
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Tribute to Anicée Alvina.
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Sexual music like french towns.
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Amort is a 35mm trailer of an action film, spoiled by bleach and by digital process.
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At the start of each new verse is added an overlay layer of the same offbeat images and sounds. It follows a result close to phasing, the technique developed by Steve Reich. Reich used tape recorders to repeat the same portion of sound with a time lag between the two parts, the classic cannon technique. In the canon, different voices interpret the same melodic line, but in a different way: this shift produces a superposition of melodies, that is to say, a counterpoint. Counterpoint is a discipline of musical writing whose object is the organized superposition of distinct melodic lines.
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Variations around a photograph of Charlélie Couture and her musicians. Ruth's music that accompanies the film has nothing to do with it except that it is French and from the same period. It serves to underline the fact that the starting material is a fixed image which by the magic of cinema comes to life. If I dared, I will evoke Marguerite Duras through a quote from Laure Adler "This novel, these photos can be read like a photo novel".
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After the juvenile fashion of "Air Guitar" (mimicking the gesture of a guitarist without having the instrument in hand), here comes "Air pool fuck". A man and a woman make love here... each in his own pool.
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After turning off the TV, a man finds out that he is sharing the apartment with someone else. The latter is unhappy that the television is turned off. Two new characters appear in the room to decide between them and it's a mess...
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On Sunday October 16, 2011, between going to vote or making this film, I did not hesitate.
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With this title, Philippe Clair summed up what a maze is: "Where did you enter? We didn't see you go out".
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Manipulation of a sequence shot of Juliet Berto's "Havre" to make a clip for Siouxsie and the Banshees.
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Work is the best police (Nietzsche).
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Arsehole voters.
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Sexuality is not a serious subject of study, it is also an entertaining practice.
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Basil and his gang have profited well. They deserve a good spanking.
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The alarm rings. It’s time. What time ? Time to fuck! And if the woman is emacipating herself by sleeping with another woman it’s the moment for the husband to discover them together. From here the film is metric, which is to say that all the shots are constituted from 9 images or their multiples. The film is named ‘Hybrid’ because different shots from different films tell the same story, that of the man who fucks the woman who fucks the man. All in all of the man who fucks the man.
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Collage from 35 mm trailers.
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1 weak nazi + 1 sturdy non-nazi = 0 nazi.
https://vimeo.com/331212174 (password : catch)
