Michal Dymek

참여 작품

A Real Pain
Director of Photography
Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.
Unmoored
Cinematography
A Swedish TV presenter's well-ordered life unravels when she finally confronts her domineering husband about an accusation against him. Her subsequent flight precipitates a chain of lies and paranoia in this taut psychological thriller.
당나귀 EO
Director of Photography
타이틀롤을 맡은 주인공 EO(당나귀 울음소리에서 착안한 이름)는 동물보호단체에 의해 서커스단으로부터 ‘구조’된다. 이어서 우리는 EO가 농장에서 일하고, 훌리건들에 의해 축구팀 마스코트로 끌려 다니고, 소시지 공장에서 탈출하고, 머나먼 이탈리아의 저택까지 이르는 여정을 따라가게 된다. 동물의 눈으로 바라본 세상은 참으로 낯설고 위협적이며, EO가 거치는 고난의 행군은 예수의 수난에 비견될 만하다.
울프
Director of Photography
자신을 동물로 여기는 십 대 환자들을 치료하기 위해서라면 클리닉의 박사는 무슨 일이든 할 것이다. 극단적인 방법이라 할지라도.
스웻
Director of Photography
완벽한 몸매와 아름다운 외모로 모든 이들의 선망의 대상으로 꼽히는 피트니스 SNS 슈퍼스타 실비아. 하지만 24시간 감시 중인 스폰서의 압박, 살인적인 식단 조절, 실시간으로 퍼지는 루머, 누군가 지켜보는 듯한 섬뜩한 시선까지. 화려함에 감춰진 것들이 숨통을 조여오는데…
Hurrah, We Are Still Alive!
Director of Photography
A group of actors centered around one charismatic director are getting ready to compete for work on a new film. They all want to get closer to him and wil do anything to make it work.
Supernova
Director of Photography
Three men, one place and one event that will change the life of each one of them.
My Friend the Polish Girl
Director of Photography
A fiction-film told through a female documentarian's lens, as she manipulates the story of an unemployed Polish actress living in London.
A Boat
Director of Photography
Playful portrait of a group of men trying to build an impossible object.
End of the World
Director of Photography
The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.
Mother Earth
Additional Camera
Maciek is no longer a boy, but has not yet become a man. He wants to satisfy the ambitions of his father, and - as everyone in the family - be a butcher. But he is too sensitive to make an animal suffer. The boy directs all his warm feelings towards an old, neglected orchard - the only memory of his mother - and discovers his supernatural abilities.
Pierce
Director of Photography
Jie doesn’t get along with his cult-going, homophobic mother, which makes harboring a secret crush on his boys fencing club teammate difficult. When his violent and troubled older brother, who was an avid fencer himself, returns suddenly after seven years, Jie is drawn to him and sees him as the savior from his unbearable mother. As his brother struggles to deal with his situation, Jie will find out just how far he is willing to go for him.