Olívia Pineschi

Didi, Soró and Tatu in search food and water head for the town of Oróz. On their journey they find a Scarecrow, a man in a metal vat, and later are arrested by a Lion Sheriff.

Eduardo is a prosperous publicist from Rio de Janeiro, married to Sandra, but feeling sexually impotent, he seeks out a famous psychoanalyst. In an attempt to discover the source of the problem, they go to Eduardo's country house and find his wife's cousin, one of his lovers. A problem arises and Eduardo returns to town, but a storm prevents him from traveling and he returns home, surprising the doctor with his wife in bed.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

This movie is a spoof of "Planet of the Apes" (1968) and follows the storyline of the original step by step - in spite of being a crazy parody of the original film. A group of men lands in a balloon on an area (it's not a planet, it's more like a hill) where talking apes rule and humans are slaves. The apes try to transform the guys in monkeys; a simian princess falls in love with one of them; and so on. This film is one of the several movies made for the popular Brazilian group "Os Trapalhões" - Didi (Renato Aragão), Dedé, Mussum and Zacarias (who at this point hadn't joined the troupe yet) -, many of them inspired by American blockbusters. It's a very fun entertainment, but the humor is very "local" to be understood in other countries. Oh, yeah, the ape "makeup" is terrible, but that's part of the fun. The movie doesn't take itself seriously.

After escaping from a penitentiary, six women begin a trail of passion and death in the search for survival.

Jesus Franco's campy women's prison film is worthwhile for genre devotees primarily due to an outstanding cast. Mercedes McCambridge is unintentionally hilarious as sadistic lesbian warden Thelma Diaz, spitting tacky dialogue with exuberant venom in a performance so overbearing that it verges on classic. The plot is standard for the genre, as three women (Maria Rohm, Elisa Montes, Luciana Paluzzi) are sentenced to an island prison off the Panamanian coast, only to encounter torture, rape, and lesbianism. When sympathetic Warden Caroll (Maria Schell) replaces Diaz, the prisoners assume that conditions will improve, but their agony only worsens until they decide to escape. Rosalba Neri co-stars, and Herbert Lom runs the corrupt men's prison nearby. 99 Mujeres was heavily censored in various prints, with versions running anywhere between 70 and 108 minutes. Edits running 84, 86, and 94 minutes are most commonly available.

Fu Manchu inoculates ten women with poison, to kill ten world leaders.

In search of a better life, Luzia leaves the Northeast of Brazil and goes to Rio de Janeiro, looking for her fiance who went first to pave their way. Alone in the Marvelous City, she is forced to accept the friendship and protection of Calunga and, later, the company of Inácio.