Atalay Taşdiken

Beste (13), whose father is a veterinarian and grew up with horses, resists the new boss's decision to close the farm. In the process of selling the horses one by one, Beste's mother and father decide to leave. A very difficult process begins for the thirteen-year-old girl with the sale of her favorite horse, Turagay, on the one hand, and the disintegration of her family, on the other.

Beste (13), whose father is a veterinarian and grew up with horses, resists the new boss's decision to close the farm. In the process of selling the horses one by one, Beste's mother and father decide to leave. A very difficult process begins for the thirteen-year-old girl with the sale of her favorite horse, Turagay, on the one hand, and the disintegration of her family, on the other.

Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.

Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.

The film focuses on the development of the cinematography in the 1890s (which in turn significantly altered the perception of the 20th century art) and how it spread within the Ottoman territory. This 2018 documentary by directors Hacı Mehmet Duranoğlu and Atalay Taşdiken contains rarely seen footage, that is more often read about then watched. Its purpose is to ignite new questions and discussions on the film history, based on the surviving documents.

Meryem, a young woman of 18, has been married for 18 months. But after six days of marriage, her husband left for Istanbul and hasn't reappeared since. As the days turn into weeks and months, Meryem longs for Mustafa and a settled married life, but she doesn't give up hope.

Meryem, a young woman of 18, has been married for 18 months. But after six days of marriage, her husband left for Istanbul and hasn't reappeared since. As the days turn into weeks and months, Meryem longs for Mustafa and a settled married life, but she doesn't give up hope.

어린 아흐멧이라면 그럴수 있다. 아이쎄에게 오빠 아흐멧은 아무것도 두려운 것이 없어보이지만 사실은 그렇지 않다. 아버지 카림은 다른 여자와 결혼하기 위해 아이들을 절름발이 할아버지에게 맡기고 떠난다. 몸도 불편하고 돈도 없는 할아버지는 그들을 키우는데 부담을 느낀다. 이 모든 것에도 불구하고 두 아이들은 결코 희망을 버리지 않는다. 시골 마을의 한 남매에 관한 이 단순한 동화는 아나톨리아의 가슴 아픈 현실에 관한 이야기

어린 아흐멧이라면 그럴수 있다. 아이쎄에게 오빠 아흐멧은 아무것도 두려운 것이 없어보이지만 사실은 그렇지 않다. 아버지 카림은 다른 여자와 결혼하기 위해 아이들을 절름발이 할아버지에게 맡기고 떠난다. 몸도 불편하고 돈도 없는 할아버지는 그들을 키우는데 부담을 느낀다. 이 모든 것에도 불구하고 두 아이들은 결코 희망을 버리지 않는다. 시골 마을의 한 남매에 관한 이 단순한 동화는 아나톨리아의 가슴 아픈 현실에 관한 이야기

어린 아흐멧이라면 그럴수 있다. 아이쎄에게 오빠 아흐멧은 아무것도 두려운 것이 없어보이지만 사실은 그렇지 않다. 아버지 카림은 다른 여자와 결혼하기 위해 아이들을 절름발이 할아버지에게 맡기고 떠난다. 몸도 불편하고 돈도 없는 할아버지는 그들을 키우는데 부담을 느낀다. 이 모든 것에도 불구하고 두 아이들은 결코 희망을 버리지 않는다. 시골 마을의 한 남매에 관한 이 단순한 동화는 아나톨리아의 가슴 아픈 현실에 관한 이야기