Producer
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Producer
편찮으신 할머니와 살고 있는 고아 소년 파루크는 주로 고철 조각을 모으거나 사소한 범죄들을 저지르며 매일을 보낸다. 어느 날 그는 정치권력을 가진 부유한 집안의 소심한 십대 소녀 모나를 만나게 된다. 모나는 더 이상 견딜 수 없을 정도로 지독한 집에서 뛰쳐나오기를 꿈꾸고, 피난처를 찾는다. 그러다 그녀와는 전혀 다른 세상에서 온 파루크에게 마음을 열게 된다.
Producer
세르비아의 작은 마을. 일일 노동자이자 두 아이의 아버지인 니콜라는 가난과 굶주림으로 아내가 극단적인 행동을 하자, 아이들을 포기하고 센터에 맡기라는 명령을 받는다. 니콜라는 최선을 다해 호소하지만, 사회복지센터장은 아이들을 돌려주지 않고 상황에는 점차 희망이 사라진다. 하지만 니콜라는 지방청 자체가 부패했을 수도 있다는 가능성을 발견하고, 세르비아를 가로질러 수도인 베오그라드의 중앙 정부로 찾아가기로 결심한다. (제22회 전주 영화제)
Line Producer
In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.
Co-Producer
Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.
Producer
It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.
Associate Producer
Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?
