Joana Martí

"Laia" is located in the imaginary village of Sinera, a fishing village inhabited by a series of extreme characters, indiscriminately diverted to the adversities of destiny. There, Laia lives, a woman marked by a miserable and unhappy childhood, that is debated between her cruel husband and lover who is his best friend and faces the hatred of a whole town while dreaming of a freedom that only the sea can grant.

After receiving numerous death threats, the millionaire father of a young woman hires a private detective.

A young woman wins 200 million pesetas at the 'quiniela' football pool with 14 successfull 'aciertos' and begins to help everybody with the fortune.

In a secluded villa, a couple and her daughter and a girl are kidnapped by two thugs.

This movie is the first of a trilogy that Sebastián D'Arbó, a specialist in parapsychology, filmed on occult topics. The second film is El ser (1982) and the last one Más allá de la muerte (1986).

Comedy about a marriage guidance counselor whose own marriage is on the rocks.

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

A group of boys and girls are locked up a weekend in a friends house in which they do a party that little to little is converted in an orgy. But not everything is sex, there are also cinematographic digressions, chocolate and churros, and good humor.