Jerónimo Rodríguez-García

출생 : 1980-09-23, Mexico City, Distrito Federal, Mexico

참여 작품

The Day Everything Changed
Cinematography
Mario, used to be a man who had planned a happy future with his wife; until one night, a robbery ends up taking her life. From that moment on, his only objective is now to avenge on those who took away his happiness.
Extraños en un tren
Director of Photography
The True Word
Director of Photography
The community of Ayapa struggles to keep their language alive. Through the memories of their elders, this documentary tries to reconstruct the town's history.
42.195
Cinematography
Whoever finishes a marathon is not the same person who walks off the starting line. 42195 dives into the deep human connection to the act of running. To understand this global phenomenon, we've delved into the world of marathon, gaining unprecedented access to key figures in running, including top experts in the field.
Anadina
Director of Photography
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
Everybody's Got Somebody... Not Me
Director of Photography
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
The Basement
Director of Photography
Jacobo is fascinated by fairy tales. Convinced that a witch has appeared in the basement of his own house, he tries to destroy her, only to discover that reality is sometimes crueler than the fantasy.
Bramadero
First Assistant Camera
The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.
Crónica de un instante
Cinematography