During a hunting party on New Year's Eve 1976, five representatives of the bourgeoisie encounter with their companion the body of a partisan from the Civil War of the late forties. What they are most confused about is the fact that the corpse that lies at their feet is still bleeding…
Prison Governor
1939에서 1952년 사이의 격동기, 한 유랑극단이 각 지방과 마을을 돌면서 (양치는 처녀 골포) 를 공연한다. 단원들의 성향도 연극 속의 배역처럼 다양하다. 극단의 배경막에 그려진 양이 격동의 그 시절을 목격하듯이 우리는 독백과 벽에 쓰여진 슬로건과 노래가 함께 나오는 일련의 태블로 쇼트를 보게 된다. 극단이 아이스킬로스의 비극의 한 막을 공연하기 시작하면서 시간의 추이가 각 사건에서 상징화된다.
A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
