Mónica Raiola

Álvaro is a marketing manager, divorced with a son who he can barely talk to, living a mediocre life and doing a mediocre job, until his bosses tell him he needs to improve his marketing campaigns for the next 2018's World Cup. He'll soon launch a plan with Argentina's National Football Team and the upcoming qualifiers that may become a lot more risky that he planned.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

One lazy afternoon in the outskirts of the city, two women's worlds colide when they turn a casual chit-chat into a battlefield, unable to prevent the inevitable: a domestic tragedy. Based on the director's play of the same name, performed by the same actresses.

Débora is 11 years old and is deaf. Facundo, her brother, is 18 and doesn't want her to grow up. Together, they have fun setting cars on fire while their father is away, until one day things slip out of control.

Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.

Two siblings on a mission. After their elderly father gets hurt in an accident, they run to his side. He has breaking news about their mother, who abandoned them. He also hid something valuable and now brother and sister must work together.

A foreigner arrives to Floresta and stays in a shared house.