Aleksandr Tsypkin

Aleksandr Tsypkin

출생 : 1975-09-28, Leningrad, RSFSR, USSR

프로필 사진

Aleksandr Tsypkin

참여 작품

Беспринципные в деревне
Producer
General Khadyakov turns sixty. He decides to ditch Moscow for a day and celebrate his birthday in an authentic Russian village with an immersive countryside experience. Fishing, a jolly feast, a visit to the banya, and a farm-style spa - that's the plan, and all of his beloved friends are coming. But the party goes awry: the rich guests manage to turn the whole village against themselves, get into a nasty quarrel and lose all the food.
Беспринципные в деревне
Writer
General Khadyakov turns sixty. He decides to ditch Moscow for a day and celebrate his birthday in an authentic Russian village with an immersive countryside experience. Fishing, a jolly feast, a visit to the banya, and a farm-style spa - that's the plan, and all of his beloved friends are coming. But the party goes awry: the rich guests manage to turn the whole village against themselves, get into a nasty quarrel and lose all the food.
Maxim, Well, You Got It!
Screenplay
Maxim is cornered: absolutely uninvited guests come to him and ring the doorbell. A man tries to get out of delicate situations in his own manner.
Hate
Screenplay
Hate posts in social networks have driven 13-year-old Maya to an attempted suicide. The girl was saved, but the mother decided to find the offenders and take revenge. With the help of a friend in the security service she finds one of the instigators of the hate campaign: Katya Ryabkina. The attempted revenge forces the heroines to come to terms with their own lives.
Fuck, Innokentiy
Writer
Short film for the Action! 2020
Password: 18ELIZA1570
Screenplay
Short film for the Action! 2020
Password: 18ELIZA1570
Director
Short film for the Action! 2020
It Doesn’t Matter
Producer
Ksenia Rappoport’s shrill monologue about the horror of a beautiful woman growing old, which turns into a lyrical and light story about love.
It Doesn’t Matter
Screenplay
Ksenia Rappoport’s shrill monologue about the horror of a beautiful woman growing old, which turns into a lyrical and light story about love.
Morning Sex
Screenplay
Parable of men's promises and torments of conscience. The main character is time to finish with a drink. In the morning, a whistle suddenly appears on his neck, and an unknown girl in bed. And everything would be fine, but the wife will be any minute.
Morning Sex
Director
Parable of men's promises and torments of conscience. The main character is time to finish with a drink. In the morning, a whistle suddenly appears on his neck, and an unknown girl in bed. And everything would be fine, but the wife will be any minute.
Euthanasia
Producer
An experienced inspector suspects a cardiologist of murder. But he has doubts, as he does not understand why a kind, intelligent woman would commit the cold, planned murder of her rival, for whom her husband left her long ago. Jealousy? A sense of ownership? In exchange for the truth he offers information which may change the view of the potential criminal.
Euthanasia
Screenplay
An experienced inspector suspects a cardiologist of murder. But he has doubts, as he does not understand why a kind, intelligent woman would commit the cold, planned murder of her rival, for whom her husband left her long ago. Jealousy? A sense of ownership? In exchange for the truth he offers information which may change the view of the potential criminal.
Did You Love Him?
Screenplay
Nothing is forever. Everything passes. Are you sure? And a woman’s insult? Vera has come with her grandson to see her old childhood friend, Yura, and wish him a happy birthday. She has come with a gift that Yura remembers all his life. The remaining life.
Dark as the Night. Anna Karenina
Screenplay
Anna Karenina in modern realities.
Tenderness
Screenplay
One day in the life of Elena Ivanovna in St. Petersburg in search of a man, sex and, maybe, love.
Window
Screenplay
The two school friends Bingo and Roma happen to meet on the street and decide to celebrate this event. They go to a nearby bar, where Bingo complains about his difficult life: supposedly he has no luck with girls and suggests they continue the celebration at Roma’s place. But Roma admits that they can’t go to his place, because he has a “grandfather” who rents his apartment for rendezvous twice a week for two hours. The puzzled Bingo tries to find out who the “granddad’s” beloved is, who pushes him to such feats, despite his old age. A little tipsy, they go to Roman’s place to track down the mistress...
Good Bye, My Love, Good Bye!
The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.
Good Bye, My Love, Good Bye!
Screenplay
The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.
Good Bye, My Love, Good Bye!
Director
The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.
어바웃 러브 2
Writer
The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.
Moskovskaya Gorka
Writer
Rare parents, only very responsible and loving, walk in the winter with their children, many are happy to entrust these cares to nannies, grandmothers and older children. But Olga and Igor are not like that. They are honestly engaged with children on the slide, play, freeze, but fulfill their duty. Although, to be honest, they are a little bored. And they willy-nilly begin to look at each other, gradually drawing in their heads each their own image of the other. They already really want to start communicating, but upbringing, stereotypes and a story invented by everyone about a vis-a-vis prevents them from taking the first step. It already saddens them, because they really liked each other. Suddenly, children loudly reveal family secrets. It turns out that Igor is not a father, but a brother, and Olga is not a mother, but a grandmother in general. And both of them are free.