Þorsteinn Úlfar Björnsson

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

The arctic fox is of a circumpolar species, but in Iceland the conditions are different from most of the other habitats of the species, due to the absence of lemmings. This film deals with research done on the ecology and behavior of arctic foxes in a remote coastal region of North Western Iceland. The work of a scientist, studying the arctic fox under harsh conditions during both winter and summer, is observed, as well as the lives of the arctic foxes in this special environment.

Maria is somewhat of a rebel and problem child. Her mother died and her father remarried some awful lady, and Maria isn't happy at all. She takes a drug overdose and winds up in a home for other girls with problems, but the two women who run the place turn out to be not quite the ladies they seemed. Maria knows she can't stay there very long, and starts planning her escape.

A documentary about the perennially controversial issue of the U.S. Nato Base in Iceland. After overing the historical background of the bace, the film deals with the present situation from three different viewpoints: A) The role of the base in the context of international warfare in the North Atlantic and how Iceland would be defended in case of crises; B) The social impact that the presence of these forces has had on everyday life in Iceland, especially the surrounding communities; C) The economical importance of the base in Icelandic society. The film is an objective study of the situation and its author's purpose is to inform rather than influence the viewer.

Rainbow’s End tells the story of inter-generational family conflict. Is a haunting work that remains as affecting and original today as when it was first released.

Tells the story of Þrymskviða

An oneiric film about a student who sacrifices his studies for the girl he loved.

An oneiric film about a student who sacrifices his studies for the girl he loved.

An oneiric film about a student who sacrifices his studies for the girl he loved.

An oneiric film about a student who sacrifices his studies for the girl he loved.

Nomina Sunt Odiosa is Fridrik Thór Fridriksson’s first film. The title is in Latin and means names are not necessary even pointless. Maybe that was a statement from the director for future films to come. Scenes from a school graduation party mix with shots of soft-drink bottles a conveyor belt. Both the bottles and the students are alike, universal, unoriginal and, above all, nameless. The film was screened at a school anniversary in March 1975 and broadcast on the only television station a few months later.