Nataša Damnjanović

참여 작품

나는 집에 있었지만…
Co-Producer
아스트리드의 열세살 난 아들이 일주일간 무단 가출 후 아무 설명도 없이 자연에서 집으로 돌아오며 시작되는 이야기다.
All the Cities of the North
Producer
It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.
All the Cities of the North
Editor
It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.
Yugoslavia: How Ideology Moved Our Collective Body
Editor
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.