Þráinn Bertelsson

참여 작품

XL
Himself
Ex-family man, avid womanizer, heavy-drinking, parliamentarian, Leifur, is forced to go into rehab by his political rival, following a well publicized art exhibition brawl. Full of denial, Leifur throws a party before checking in, but when it´s time to leave – very few do, turning the night into an adventure exclusively for those old enough to vote.
The Messanger
Ráðherra
Páll thinks he is just like everyone else, that is until he begins to have vivid visions about life after death. At first he has a open mind about them, but discovers through them an evil plot. The visions show him a spree of killing of important people within society. A panic ensues, and Páll gets tangled in a plot with powerful people and a cult that could destroy society.
Privacy
Director
Alexander, a twenty-year-old student, his girlfriend and a schoolmate discover the ins and outs of film-making while shooting a documentary about his family. A gallery of humorous, off-beat characters is revealed, who's seemingly ordinary lives conceal bitter divorces, passionate second marriages, vengeance, luck and misfortune, crime and punishment.
Magnús
Patient
Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.
Magnús
Writer
Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.
Magnús
Director
Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.
A Policeman's Life
Writer
Lukkuriddararnir Þór og Danni reka sérkennilega gæludýraþjónustu og eru auk þess í sambandi við alþjóðlegan fálkaræningja og ætla að selja honum kjúklinga uppdubbaða sem fálkaunga fyrir stórfé. Eftir röð einkennilegra tilviljana eru þeir komnir í lögregluna og farnir að fylgjast með hegðun borgarbúa. Við löggæslustörfin lenda þeir félagar í ótrúlegustu ævintýrum: Þeir eiga í útistöðum við glæpagengi sem samanstendur af eldri konum, komast í kast við næturdrottninguna og útigangsmann á Arnarhóli og taka þátt í æsilegasta kappakstri sem sést hefur í íslenskri kvikmynd.
A Policeman's Life
Director
Lukkuriddararnir Þór og Danni reka sérkennilega gæludýraþjónustu og eru auk þess í sambandi við alþjóðlegan fálkaræningja og ætla að selja honum kjúklinga uppdubbaða sem fálkaunga fyrir stórfé. Eftir röð einkennilegra tilviljana eru þeir komnir í lögregluna og farnir að fylgjast með hegðun borgarbúa. Við löggæslustörfin lenda þeir félagar í ótrúlegustu ævintýrum: Þeir eiga í útistöðum við glæpagengi sem samanstendur af eldri konum, komast í kast við næturdrottninguna og útigangsmann á Arnarhóli og taka þátt í æsilegasta kappakstri sem sést hefur í íslenskri kvikmynd.
Deep Winter
Writer
A young widow moves from abroad to an isolated farm in Iceland.
Deep Winter
Blaðamaður
A young widow moves from abroad to an isolated farm in Iceland.
Deep Winter
Director
A young widow moves from abroad to an isolated farm in Iceland.
Pastoral Life
Writer
This is the story of how Þór and Danni run a farm. They get a job running a farm for a local farmer that is going on a vacation to sweden, they of course pronouns them selfs as experts in the field of agriculture, witch they of course aren't. When they have managed to get the "hold" of things they get the brilliant idea to have a agricultural seminar for city people on the farm.
Pastoral Life
Verslunarstjóri
This is the story of how Þór and Danni run a farm. They get a job running a farm for a local farmer that is going on a vacation to sweden, they of course pronouns them selfs as experts in the field of agriculture, witch they of course aren't. When they have managed to get the "hold" of things they get the brilliant idea to have a agricultural seminar for city people on the farm.
Pastoral Life
Director
This is the story of how Þór and Danni run a farm. They get a job running a farm for a local farmer that is going on a vacation to sweden, they of course pronouns them selfs as experts in the field of agriculture, witch they of course aren't. When they have managed to get the "hold" of things they get the brilliant idea to have a agricultural seminar for city people on the farm.
New Life
Writer
The film is the first of three about the misadventures of two friends, Þór and Danni. Two friends working at a restaurant get fired from their jobs and after seeing an advertisement for the fishing industry of the Westman Islands, decide to go there and make some money. The islands become a perfect setting for many funny and strange situations, especially after word gets around that the two are spies from the Ministry of Fisheries.
New Life
Director
The film is the first of three about the misadventures of two friends, Þór and Danni. Two friends working at a restaurant get fired from their jobs and after seeing an advertisement for the fishing industry of the Westman Islands, decide to go there and make some money. The islands become a perfect setting for many funny and strange situations, especially after word gets around that the two are spies from the Ministry of Fisheries.
The Twins
Director
The twins Jon Oddur and Jon Bjarni are typical normotensive boy saddles. Sometimes, they have to be quite the most dangerous repeat and even naughty but filial innocence they easily melt everyone's heart. The family also Anna Jane hálfsystir that is poorly organized by the "teenage" and Mike's little sister in the most trouble with potty time. Soffía housekeeper is also an essential part of the family but she could boys while their parents are at work. But if the brothers are so fortunate to have a good family, there are not any.