1930's China. The village of a poor family is taken over by the occupying Japanese army. One son, Zhongliang, leaves his wife and young son to join a medic group for the Chinese Army. The other son, Zhangmin goes into hiding to protect his family. The focus shifts back and forth from the brothers' parents and Zhongliang's wife and son to Zhongliang's newfound life of luxury in a town not too far away. The plight of Zhongliang's mother, his wife, Sufan and her son, Kongeson is contrasted with Zhongliang's rise in a flourishing company.
This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.
A primary school teacher rallies the citizens of a small town to resist the corruption of the local government and unite to build reinforcements against an oncoming flood.
This early classic of Golden Age Shanghai cinema echoes Visconti's classic La Terra Trema in its beautifully rendered story of a humble silk-farming family struggling to be free of debt to exploitative middlemen.
Qi can't stand the family she's been married into tries to escape. On the day that she escapes, her sister-in-law is killed by her nephew. Qi becomes a suspect and is arrested. After being released from prison, Qi decides to take revenge on society. She makes a living betraying her lust and hangs out in various places with unconventional people. She meets Zou Wenlan, and the two fall in love and plan to start a new life together. However, the Zou family strongly opposes the marriage, and the two are separated. Qi jumps into the sea and commits suicide. Facing Qi's tombstone, Zou Wenlan and and his family are full of sorrow and repentance.
