Danièle Dubroux
출생 : 1947-09-04, Paris, France
약력
Danièle Dubroux est une réalisatrice, scénariste et actrice française, née le 4 septembre 1947 à Paris.
Danièle Dubroux a un parcours atypique dans le cinéma français puisqu'il y a relativement peu de cinéastes, et encore moins de femmes, ayant fait de la critique (pendant près de dix ans aux Cahiers du cinéma) avant de faire des longs métrages. (Certains critiques qu'elle a croisés aux Cahiers du cinéma à cette période ont eu le même parcours, Pascal Bonitzer ou Olivier Assayas). Elle a aussi cette singularité d'être actrice de ses propres films, tout en n'étant pas une actrice professionnelle.
Ses films sont très marqués par la psychanalyse (discipline qu'elle a étudiée par intérêt sans vouloir en faire son métier). Films les plus marquants : Border-line ; Le journal du séducteur (inspiré du livre du même titre du philosophe danois Søren Kierkegaard).
Director
A husband wants to win back his wife, even though she has been living with her lesbian lover for six months.
L'amie de Dominique
Fashion executive Dominique's obsession for Quentin, a young bisexual hustler, fills her desire for physical love but leaves her taxed emotionally. Twists and turns in the relationship, along with the man's violent and abusive nature, force Dominique to reconcile the conflicts created by her passion. In this quest, Dominique is aided, and sometimes hindered, by friends, clients, and Quentin's former and current acquaintances.
When she lands up in the middle of nowhere, Séréna, a rather thoughtless young woman, is supposed to marry Hubert, a country squire she came into contact with through the classifieds in "Le Chasseur Français", a magazine for hunters. But she gets to know Roland, a bachelor farmer who develops an instant burning passion for her. Prepared to do anything for her, he goes as far as to holdup banks to secure the good life she longs for. Although she confesses (wrongly) that she suffers from AIDS, he is in no way discouraged. Séréna accepts to marry Roland but on her wedding night she balks at taking the "midnight exam". She runs away and meets Antoine, a married writer, who hides her in the attic of his house, without his wife knowing it.
Director
When she lands up in the middle of nowhere, Séréna, a rather thoughtless young woman, is supposed to marry Hubert, a country squire she came into contact with through the classifieds in "Le Chasseur Français", a magazine for hunters. But she gets to know Roland, a bachelor farmer who develops an instant burning passion for her. Prepared to do anything for her, he goes as far as to holdup banks to secure the good life she longs for. Although she confesses (wrongly) that she suffers from AIDS, he is in no way discouraged. Séréna accepts to marry Roland but on her wedding night she balks at taking the "midnight exam". She runs away and meets Antoine, a married writer, who hides her in the attic of his house, without his wife knowing it.
Writer
Believing she comes from a wealthy family, thugs kidnap a young woman hired as an au pair in Paris.
A few stories are mixed, but all starts with Claire who one day brings back to Gregoire one of his books found at the university. Gregoire is the tenebrous romantic king, and Claire falls in love with him. But there is also Gregoire's circle, his disturbing neighbour, his maybe crazy grandmother Diane, his former teacher Hugo. And this is mixed up with Sebastien's attempts to seduce Claire then her mother Anne. And also Claire's psychiatrist.
Director
A few stories are mixed, but all starts with Claire who one day brings back to Gregoire one of his books found at the university. Gregoire is the tenebrous romantic king, and Claire falls in love with him. But there is also Gregoire's circle, his disturbing neighbour, his maybe crazy grandmother Diane, his former teacher Hugo. And this is mixed up with Sebastien's attempts to seduce Claire then her mother Anne. And also Claire's psychiatrist.
Director
On a whim, the long-married Hélène decides to look up a former lover of hers. At his apartment, she is met by the man's grown son, Julien, who tells her that his father died just a few days before. Before long, she has become Julien's lover, but she is also increasingly becoming attached to the rather unlikely idea that Julien and she are genetically related. Meanwhile, her cardiologist husband cannot fathom her increasingly bizarre behavior. It is one thing to have an affair, even with a much younger man, but she seems to be edging ever-closer to the borderline between sanity and madness.
On a whim, the long-married Hélène decides to look up a former lover of hers. At his apartment, she is met by the man's grown son, Julien, who tells her that his father died just a few days before. Before long, she has become Julien's lover, but she is also increasingly becoming attached to the rather unlikely idea that Julien and she are genetically related. Meanwhile, her cardiologist husband cannot fathom her increasingly bizarre behavior. It is one thing to have an affair, even with a much younger man, but she seems to be edging ever-closer to the borderline between sanity and madness.
Writer
Fifteen-year-old Camille is a vulnerable and a strong-willed seductress- she chooses, she takes, she leaves; she can go very far in her desire for freedom. She is the daughter of disunited parents, Armand, a professor and Colette, an intellectual bourgeois. She manages to seduce Jean-Louis, a professor of letters of thirty-seven years, friend and colleague of her father. She makes him commit a lot of extravagance - he even dyed blond. Later she had a passion for Samuel, a former student of Jean-Louis, lout and trafficker. She is not easy, men learn at their expense, either sentimentally, as with the teacher, or that the first sexual experience come to ignite the relationship with Samuel.
Director
Fifteen-year-old Camille is a vulnerable and a strong-willed seductress- she chooses, she takes, she leaves; she can go very far in her desire for freedom. She is the daughter of disunited parents, Armand, a professor and Colette, an intellectual bourgeois. She manages to seduce Jean-Louis, a professor of letters of thirty-seven years, friend and colleague of her father. She makes him commit a lot of extravagance - he even dyed blond. Later she had a passion for Samuel, a former student of Jean-Louis, lout and trafficker. She is not easy, men learn at their expense, either sentimentally, as with the teacher, or that the first sexual experience come to ignite the relationship with Samuel.
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.
Director
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.
Mlle Duquesne
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
Director
A TV movie in episodes by a group of female filmmakers.
N°258
Reel 26 of Gérard Courant’s on-going Cinematon series.
Writer
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
Director
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
Director
A short film.
Director
L’Olivier responds to a concern French public support for the Palestinian cause is diminishing in the wake of the 1972 Munich operation. Structured to chronicle the Palestinian story and to explain the current chapter in the struggle, the film calls for global militant solidarities and, particularly, for European political engagements.
