Screenplay
Filmed entirely inside Civitavecchia prison, with the inmates themselves as protagonists and co-authors, Fortezza is the reinterpretation of one of the most important novels of the 1900s: The Tartar Steppe by Dino Buzzati. Three soldiers arrive at a solitary military garrison which no longer serves any defensive function. Here, time is at a standstill and is marked by strict regulations, power dynamics, engrained idleness and habit. Waiting in vain for an enemy that will not arrive, the military officers are consumed by the need to give their stay meaning, and resist the attraction that this place holds for them.
Producer
Filmed entirely inside Civitavecchia prison, with the inmates themselves as protagonists and co-authors, Fortezza is the reinterpretation of one of the most important novels of the 1900s: The Tartar Steppe by Dino Buzzati. Three soldiers arrive at a solitary military garrison which no longer serves any defensive function. Here, time is at a standstill and is marked by strict regulations, power dynamics, engrained idleness and habit. Waiting in vain for an enemy that will not arrive, the military officers are consumed by the need to give their stay meaning, and resist the attraction that this place holds for them.
Director
Filmed entirely inside Civitavecchia prison, with the inmates themselves as protagonists and co-authors, Fortezza is the reinterpretation of one of the most important novels of the 1900s: The Tartar Steppe by Dino Buzzati. Three soldiers arrive at a solitary military garrison which no longer serves any defensive function. Here, time is at a standstill and is marked by strict regulations, power dynamics, engrained idleness and habit. Waiting in vain for an enemy that will not arrive, the military officers are consumed by the need to give their stay meaning, and resist the attraction that this place holds for them.
They are the only two survivors of an plane crash; two more different people you couldn’t imagine; an Italian Frenchman who’s always rushing about, always angry and who’s made a lot of money in his life and left his ideals by the wayside, together with a Japanese cook, who’s calm, relaxed and an aesthete. They find themselves abandoned in a desolate land and without help and so they’re forced to live together and confront, but above all battle with hunger which brings them face to face with extreme situations. And it’s from this experience that their lives radically change, especially the man who was frenetic and angry.
Amica di Caterina
