Mirjana Đurđević

난민촌에서 살던 공산주의자 스토얀의 머리에 성인의 광배가 생기면서 벌어지는, 종교와 전쟁과 예술에 대한 우화같은 이야기를 다룬 영화

The film is dedicated to the struggles that lasted from June 24 to October 6, 1992, when the Banja Luka-Bijeljina corridor was liberated. Operation “Corridor” meant life for the population of both Krajinas – the supply of food, electricity and medicine was re-established.

A story of a vanishing world made of four women that are torn between an undeniable desire for family extension, and the freedom they are familiar with only in their imagination.

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

Robert, a jaded middle-aged New Yorker, travels to Belgrade to make some quick cash by marrying someone for U.S. immigration papers. The plan goes awry when the money never arrives, leaving Robert stuck in Serbia. Meanwhile in New York, Banko, the young Serb whose girlfriend Robert is to marry, fights to come up with the cash.

1st STORY: The Waiting Room. Vanja and Dara, women of the middle-age, from different social status, met in the hall of the waiting room of a hospital, waiting to be called to prepare for abortion. This unexpected meeting will start a lot of questions in their mind, and make them reconsider their decision. 2nd STORY: The Road. A country, somewhere in Serbia: mother is taking her daughter, along the road, to the doctor who lives alone in a wagon, in which he makes illegal abortions. All over that journey there is collision between mother's traditional attitude against pregnancy before marriage and daughter's youthful wish for a birth of a new life from love. 3rd STORY: Water. Nada, a young woman in late twenties, remembered in a prison cell, the tragical events which made her kill her husband. In the hospital, where she was taken by a police car, for making abortion of his child, she met a person, who she didn't expect to meet.

Love triangle story between the village gendarme Đorđe, his wife Katarina and the young disabled war veteran Gavrilo during the time between First Balkan War and World War I.

A story about an ordinary man searching for the fulfillment of dreams and emotions. Well-known Belgrade dentist lives in long and happy marriage. As a fulfilled and happy man, he despises all his friends who are struggling with the "backward puberty syndrome" - as he called sensitive age where men are desperate to stay young. But he has no idea that he will be hit by the "mid-life crisis" and suddenly "strike" love, which, he thought, become immune. In order to overcome the emotional and erotic temptation, it seems everything to be changed, in the true sense of the word.

Juliet, a white girl, falls in love with a dark-skinned romeo, a divine trumpet player from the Roma orchestra. But her father Satchmo doesn't accept Romeo. Romeo needs to fight for Juliet at the legendary Festival of the trumpeters in Gucha.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Swan is a lonely Serbian refugee in Belgrade. He hopes for a visa to follow his long-lost fiancée to Chicago, but winds up at the Happy Millennium dating agency. A warm romantic comedy with a twist.