Ivan Havrilyuk

The young, curious journalist Sofia (Olga Sumska) at tragic circumstances meets the investigator Bohdan Mazepa (Ivan Havrylyuk). Soon their paths intersect: Sofia receives the task to write an article about our valorous militia, where that very successful captain having no unsolved cases is to appear as the protagonist. Except for one. What secrets does this case hide and how will fates of Bohdan and Sofia develop, will love be able to survive the frightful truth?

The young, curious journalist Sofia (Olga Sumska) at tragic circumstances meets the investigator Bohdan Mazepa (Ivan Havrylyuk). Soon their paths intersect: Sofia receives the task to write an article about our valorous militia, where that very successful captain having no unsolved cases is to appear as the protagonist. Except for one. What secrets does this case hide and how will fates of Bohdan and Sofia develop, will love be able to survive the frightful truth?

West of Ukraine, 1945. According to the intelligence of the First Ukrainian Front, a special detachment led by Hauptmann Hintze entered the Carpathian region in search of gold for the needs of Germany. In order to get ahead of the enemy, the Chekists recruit a forester. Together with the Chekist Olga, they are supposed to be looking for a place to cut down the forest. In fact, Krapivych is tasked with protecting Olga, who is gathering information about the actions of a German group of saboteurs, which she is hiding in a pursuit squad, and looking for gold ...

A story of Ivan Sirko, the legendary Ukrainian originally from the Merefa county near Kharkiv, who was elected the leader of Cossacks eight times, bravely fought and won 53 major battles.

The action takes place in the Ukrainian Carpathians in the First World War. The plot - twists and turns of life's journey of the traveler, adventurer, traveling actor and philosopher Ivan Kalita.

XIII century. Prince Daniel of Galicia returned from the Horde, where he graciously have allowed to rule in Galicia in exchange for recognition his submission to Khan. But he can not accept the humiliation. He begins to prepare for war with the hordes of Batu, who conquered many Russian principalities. The Hungarian king, Lithuanians and Poles promised to support Daniel, but Pope Innocent IV refuses to lend a hand. Daniel's army is compelled to reflect the invasion of nomads herself.

The continuation of adventures of a heroes of "Scheherazade's 1002nd Night"...

The story of two Cossacks from Zaporizhzhya Sich, who had been taken as prisoners by the Turks, but were able to release themselves and get home. But it is going to be a long way and it is very unsafe, so the heroes will find many dangers and obstacles.

The continuation of adventures of a heroes of "Scheherazade's 1002nd Night"...

Criminal investigation is investigating the case of robbery of the factory cashier. At the checkpoint of the factory of precision mechanics and optics, two criminals attack the cashier. Criminals manage to escape by the car, waiting for them around the corner. At the scene of the crime, criminal investigation officers arrive Major Dorokhov and Lieutenant Matushkin. They interview witnesses, but they did not remember properly any attackers or machine numbers, but noticed that one prevented the other from firing.

Soviet Ukrainian drama set in the Uniate Church in the years of World War II.

The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.

Film by Veiczi.

Kyiv. The State Institute of theatre of Karpenko-Kary opens its doors and welcomes new students, future artists: directors, actors, cameramen and script writers.

The families of 18 soldiers who heroically died in 1944 are meeting at the place of the squad last battle.

The story of the life of the Podolsk village and what the inhabitants of the village had to go through during the years of Soviet power. Through the fate of the heroes, the film tells about the events of collectivization in the village, where for centuries, everyone used to work only on his own farm, about the war years, when many quiet people showed miracles of heroism, and universal favorites became nazi puppets.

Three friends in a summer camp are looking for a treasure hidden in a old mansion.

This film is based on the classic novel of the same name by writer Ivan Franko, one of the most famous figures of Ukrainian literature. It is set during the 1200s and the invasion of the medieval Ukrainian-Russian state of Rus' by Chengis Khan's Golden Horde. Due to its having been produced during the Soviet era, the story's aspect of class-conflict between the "heroic" peasantry and the "decadent" noble particularly emphasized here.

This ideologically charged film as a typical sample of Soviet version of history portrays the events in Ukraine in 1921 after the defeat of Ukrainian liberation struggle and the occupation of the country by invading Bolshevik hordes. The Bolsheviks are good guys and Ukrainian rebels refusing to submit to a new, this time Soviet, slavery are portrayed as bandits and brigands fighting against their own people.

The main motive of the film - a tragic love of Lesya Ukrainka to Marxist revolutionary Sergei Merzhinskiy. The film is about the poetess' trip to her beloved, in the literal and metaphorical sense at the same time.

A group of peasant farmers in turn-of-the-century Ukraine leaves home in search of better luck in Siberia. The story follows those who stay behind and their dispute with the landowner, as well as a love triangle involving a local beauty and two young men.

This film is a romantic story of love between a Hutsul girl and wounded Soviet guerrilla Andrii whom she rescues from certain death. The events unfold against the backdrop of WW2 presented with many obligatory falsehoods of the imperial Russian historiography: heroic Soviet guerrillas, poor and backward Hutsuls, rich Hutsuls betraying their own people and collaborating with the enemy, Ukrainians incapable of their own agency. Crude and mendacious as it is, this ideology is relegated to the narrative background, and the viewer's attention gets quickly captivated by the artistic fortes of the film: riveting stage presence of Kostiantyn Stepankov, Ivan Mykolaichuk, Boryslav Brondukov and the debuting Ivan Havryliuk; gorgeously atmospheric photography of Mykola Kulchytsky, beautiful faces, language, and dress of the Carpathian Ukrainians, and a faithful presentation of Hultsul folk culture devoid of typically condescending Soviet colonial slant.