Júlio Calasso Jr.

A final conversation with departed actor, director and musical producer Julio Calasso Jr., a key character in the Brazilian artistic scene. At his old house in Butantã, São Paulo, Julio talks about his experiences, frustrations, joys and tragedies.

Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.

Rafael embarks on a shabby blue Landau and crosses the city of São Paulo gathering truths and lies about the set of his uncle Tico, the already legendary proto-punk-satirical Knee of Porco.

The ghosts of Boca do Lixo. Ido Oliveira still walks through Triumpho St.

The theatrologist, actor, director and overall polemist Plínio Marcos gets his life traced through images of the many spectacles he has put on interviews from various moments in his life, from the most rebellious and marginal, when he lacked resources for his art, to when he was invited to go to Paris and talk about his work

The theatrologist, actor, director and overall polemist Plínio Marcos gets his life traced through images of the many spectacles he has put on interviews from various moments in his life, from the most rebellious and marginal, when he lacked resources for his art, to when he was invited to go to Paris and talk about his work

Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".

A beautiful woman is found dead, with a peach in her mouth, a bite in her butt and without blood in the body. When other women are found dead in the same modus-operandi, the police gives the nickname of "Vampa" to serial killer. Detective Leôncio is assigned to investigate the murder together with fetishist photographer Oscar. Without any lead, they decide to follow a sexy and popular night-club dancer on the streets of São Paulo, trying to identify possible suspects.

On a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator

A sensationalist report is a parallel between a popular and a character in his process of transformation. "Thanks to Coffin Joe, Nayara is now on the left, over your heart, this body does not belong to you."

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

A short film made for City Life (1990)

A short film made for City Life (1990)

The story of two brothers who are trying to farm in the Brazilian Amazon.

Former athlete enters an old cinema in São Paulo's decadent city centre and meets an intriguing and mysterious woman, very much like the leading lady on the film. He gets involved with her and her problems and in no time is being accused of a crime.

Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.

The life and death of Colonel Orestes, a decadent coffee farmer, spanning three generations between despair, hallucinations, and the help of three different wives. The city, the synthesis of modernization, definitively buries the oligarch making buildings on the ground that had previously made the character's prestige.

The life and death of Colonel Orestes, a decadent coffee farmer, spanning three generations between despair, hallucinations, and the help of three different wives. The city, the synthesis of modernization, definitively buries the oligarch making buildings on the ground that had previously made the character's prestige.

The life and death of Colonel Orestes, a decadent coffee farmer, spanning three generations between despair, hallucinations, and the help of three different wives. The city, the synthesis of modernization, definitively buries the oligarch making buildings on the ground that had previously made the character's prestige.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.