Erik Mørk

When a secretary at the Danish embassy in Russia dies in suspicious circumstances, the local police seem determined to close the case. But diplomat Jack Anderson, who has been brought in to observe, falls for a beautiful singer with ties to the murder and begins his own investigation.

2차 세계대전 후 독일, 독일계 미국인 청년 레오폴트 케슬러(장 마크 바)는 전쟁이 끝나자 독일로 돌아온다. 큰아버지(에른스트 휴고 예어가르트)의 소개로 철도 침대칸에서 일하게 된 레오폴트. 그는 우연히 철도회사 사장(유도 키에르) 딸 카타리나(바바라 수코와)와 만나 사랑에 빠지고 결혼하기에 이른다. 그러나 연합군의 지배아래 독일 테러리스트 집단과 연합군의 대립이 격해지자, 레오폴트는 미국장교로부터는 독일의 정보를 캐오라는 요구를, 독일 테러리스트 집단으로부터는 기차를 폭파하라는 지시를 받는다. 레오폴트는 아무 것도 하지 못한 채 테러 집단의 일원이었던 아내로부터도 방관자라는 말을 듣는다. 평범하고 선량하게 살려는 의지가 흔들리기 시작하는 레오폴트. 정신분열을 일으키던 그는 스스로 죽음을 맞이한다.

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.

Audun’s son is killed in an accident while the mother is in bed with her lover. Ten years later is Audun on the road living as a salesman and on the lone women that he meet and steal money from.

A Chinese diplomat is kidnapped from a conference in Genève and the world peace is at risk. The trail leads to a hiding place in Denmark and the Danish secret service brings in their best agent, agent Smith, who has been in a psychiatric hospital since his last assignment. To accompany Smith they once again turn to novelty and party tricks salesman Frede Hansen, because they need an unrecognizable man to infiltrate the crime syndicate behind the kidnapping.

The body of a loose-living woman is discovered. Who murdered her? Her new hard-drinking boyfriend? Maybe her playboy ex-lover with a criminal past? Or the ex-lover’s pathologically jealous wife. Or..?

A dangerous prison escaper, a young Jutland woman, and a bank clerk, who has just deprived his employer of some cash and is now headed abroad, meet on a lyntog (literally "lightning train") from Arhus to Copenhagen.