Semen Svashenko

서자인 삐에르는 부친의 죽음 이후 거액의 재산을 상속받게 된다. 그 후 애정이 없었던 삐에르와 엘렌의 결혼 생활은 엘렌의 방탕한 생활로 별거에 이르게 된다. 한편 구사일생으로 아버지인 볼콘스키 공작에게로 돌아온 안드레이에게는 아내 리차의 죽음이라는 또 다른 시련이 다가온다. 그러던 중, 삐에르와 안드레이는 오랫만에 재회해 마음의 상처를 달랜다. 안드레이는 성숙한 여인이 된 나타나에게 매료 당하고 마침내 결혼을 신청하기에 이른다. 그러나 안드레이가 전쟁터로 떠나자 나타샤는 불안과 초조 속에서 방황하다가 결혼 약속을 취소해 버린다. 그러한 사실을 알 리가 없는 안드레이는 전장에서 자신의 모든 것을 걸고 조국애를 발휘하는데...

러시아의 젊은 귀족 안드레이는 아내의 반대를 무릎쓰고 군에 자원했다가 중상을 당한다. 그의 친구 피에르는 재산을 탐하여 시집을 온 엘렌과의 불화로 별거에 이른다. 구사일생으로 돌아온 후 아내의 죽음으로 실의에 잠겨있던 안드레이는 백작의 딸 나타샤에게 매료당하여 청혼을 하게 된다. 나폴레옹군의 전진으로 위기에 몰린 러시아를 구하기위해 안드레이와 피에르는 전장에 뛰어든다. 폐허화되었던 모스크바는 전력을 빼앗긴 나폴레옹군을 역습하여 마침내 승리를 거둔다. 모스크바로 돌아온 삐에로는 안드레이를 잃은 슬픔에 빠진 나타샤를 위로하다 그녀와 사랑이 싹트게 된다.

1918 year. A woman commissar has been appointed from the Central Committee of the Bolshevik Party to the Russian warship Gromoboi, which is ruled by anarchist sailors. The leader of the ship is the anarchist Vozhak. The Commissioner was instructed to reorganize the naval detachment into the First Sailor Regiment. She faces a difficult task: to win the authority of the sailors and eradicate anarchy. Of the remaining officers on the ship — lieutenant Bering, who served in the tsarist fleet on the battleship "Emperor Paul I". He must become the commander and, together with the sent commissar, lead the regiment to the front in the Black Sea region.

소년 병사 알료사는 독일군과의 전투에서 큰 공을 세워 상관으로부터 휴가를 받게 되고, 고향 가는 열차 안에서 위기에 처한 한 소녀를 도와주게 된다. 이 일을 계기로 알료사와 소녀는 가까워지게 되지만, 남은 휴가 기간은 다해가는데...

The third film in the trilogy ("The Sisters", "The Eighteenth Year", "The Gloomy Morning") based on the novel by Aleksei Tolstoy "The Road to Calvary". About the fate of the Russian intelligentsia against the background of the collapse of the Russian Empire and the civil war, which turned the lives of all the heroes of the film narration. Defending Tsaritsyn, the red commander Telegin was seriously wounded. At the hospital, he meets Dasha. After his recovery, the young spouses go together to the Red Army.

Based on the novel of the same name by Mikhail Sholokhov, about the fate of people broken by the First World War, the October Revolution of 1917 and the Civil War in Russia (1917-1922), about the collapse of the foundations and ideals of the Don Cossacks of Russia at the beginning of the XX century, about the personal tragedy of the protagonist — Grigoriy Melekhov.

Yussuf and Aliosha are two shipwrecked sailors on an island in the Caspian Sea. They start working as sailor and mechanic for the fishing boats of the "Lights of the Communism" kolkhoz. Here the two friends will fall in love with the beautiful Masha.

The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.

A peasant visits the DneproGES construction.

This revolutionary epic likens the push for industrialization of Soviet Ukraine with the battle for Perekop during the Civil War. A missing plow blade is presented as a symbol of the country's backward peasant economy that needs to be transformed in the course of the industrial construction. In an onslaught of rapidly changing images, Ukrainian village with its peasants suspicious of everything new, dramatically collides with the frenzy of working factories, plants, and mines.

Satirical film about Ukranian collectivization.

In the peaceful countryside, Vassily opposes the rich kulaks over the coming of collective farming.

A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.

The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of Zvenygora – Treasure that rightfully belongs to his homeland. The film wonderfully blends both lyricism and politics and uses its central construct to build a montage praising Ukrainian industrialization, attacking the bourgeoisie, celebrating the beauty of the Ukrainian steppe and retelling ancient folklore. Said Sergei Eisenstein of the film, "As the lights went on, we felt that we had just witnessed a memorable event in the development of the cinema".

An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.