The window game (2020)

Um promissor romancista, Mike Enslin (John Cusack), resolveu enveredar por outro caminho e escrever livros que investiguem fenômenos paranormais. Enslin nunca presenciou realmente algum destes fatos, então fica difícil obter credibilidade. Além do mais Mike é totalmente cético, pois até hoje não encontrou evidências de que exista vida após a morte. No entanto decide ir até Nova York e se hospedar no Dolphin Hotel, mais exatamente no quarto 1408, que tem fama de ser habitado por espíritos malignos. O gerente do hotel, Gerald Olin (Samuel L. Jackson), o avisa que 56 mortes já ocorreram neste quarto, mas Mike está decidido a conferir se sua fama está condizente com a verdade.

Ben e Marian conseguem alugar uma mansão por um valor estranhamente baixo e depois que se mudam para a casa Ben começa a ter explosões de violência, enquanto Marian passa a maior parte do tempo no quarto da velha senhora que tem que cuidar mas que ninguém jamais conheceu. À medida que "acidentes" vão acontecendo a casa parece ficar cada dia mais nova, e seus habitantes não tem como sair.

Mort Rainey é um escritor em crise, que acaba de se separar de sua esposa após tê-la flagrado com outro homem. Mort decide se isolar em uma cabana à beira do lago Tashmore, em busca de tranquilidade. Porém lá aparece John Shooter, que começa a atormentá-lo ao acusá-lo seguidamente de plágio.

Baseado em romance de Davis Grubb, conta a história de um assassino de viúvas ricas que, ao sair da prisão, persegue uma família para encontrar o dinheiro que o pai, que conhecera na cadeia, havia guardado em lugar não revelado. É o único filme dirigido pelo premiado ator Charles Laughton

A seductive woman gets an innocent professor mixed up in murder.

Aqui, encontramos o confiante e estudioso John McGill quando ele está prestes a iniciar o ensino secundário, onde espera continuar a sua carreira acadêmica brilhante. Mas há nuvens escuras no horizonte. Sua amizade com o garoto de classe média Julian, brilha uma luz de fundo em ambos os seus podres e as disfunções de sua casa, onde seu pai está sempre bêbado, violento e ineficaz, sua mãe é perturbada e reprimida e seu irmão mais velho está sempre em conflito com a lei. Na escola, há um ou dois bons professores, mas a maioria são desinteressados na cultura de gangue brutal e territorial que se espalhou a partir de conjuntos habitacionais locais para o pátio da escola. A pergunta inquieta que Mullan coloca é que John pode ou não transcender o destino de sua classe, educação e família para fazer algo de bom para si mesmo.

Nelson has a vivid nightmare of a woman being murdered and discovers that this is the beginning of a string of actual serial murders. To clear up this disturbing mystery, he pursues the serial killer to find out why he is haunting his dreams.

Sylvia is writing her first novel. This will uncover dark secrets from her family's past; a past that now returns to haunt her. Disturbing, strange, frightening ghost story set in an exotic Spanish colonial city by the sea. A tale of mystery and terror that will keep you guessing from start to end.

A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter.

A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]

A journey to the past inspired by nostalgia, the basis of happiness. A simple and ambitious story from the inside of a window establishes the delicate boundaries between the past, the present and the future. Produced during 2020's confinement due to Covid-19.

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.

Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.

140 seconds of 780 stills taken from a window in a dormitory.