Fim de Semana à Beira-Mar (2011)
Gênero : Comédia
Runtime : 1H 17M
Director : Pascal Rabaté
Sinopse
A comedy about funny adventures of the group of French people during the summer vacation.
Em uma remota estrada no deserto, um improvisado posto de patrulha de fronteira é comandado por três agentes: Flores (Gabriel Luna), um controlador; Davis (Johnny Simmons), que aceito o trabalho na esperança de andar a cavalo e paquerar latinas; e Hobbs (Clifton Collins Jr), um antigo guarda que se acha superir por ter um diploma. Em um dia parado como qualquer outro, o conteúdo de um carro muda tudo. Um jornada se inicia para desvendar o surreal e assustador segredo por trás da fachada dessa solitária unidade de patrulho.
Former child bride Selvi escapes her child marriage to become South India's first female taxi driver.
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)
Lizon has just attended her friend Marie's birthday. The friends around the birthday cake, the candles to be blown, the wish to be made amazed her. For her ninth birthday, Lizon wants to have the same thing. A birthday with a cake, candles and her friends, at her home: in the car.
A mother and her son plan a surprise visit to Los Angeles to see her husband/his father. Halfway there they get into a terrible accident in the middle of nowhere and now must fight to survive.
Jack (Jack Cullison) é um universitário inconsequente que está com os dias contados na faculdade. Até que um de seus professores oferece o que parece ser a solução para seus problemas, gerenciar uma empresa de lavagem de carros local por uma semana. Jack pede a ajuda de seus amigos e acaba se envolvendo em muitas confusões.
A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.
Sharing car is like a box of chocolates, you never know what you're gonna get.
Iffet lives in a low income neighbourhood of Istanbul with her sister and father under the strict rules of her father. She can not even go visit her aunt since she is not allowed to leave home without permission. She nevethless falls in love with Cemil…
From A-Z Part 1
2 guys in a rally car (Wentworth Miller, Rami Jaber) take on a mission to transport a briefcase to Las Vegas in 2 hours. Snipers try to shoot them, car chase follows, but they manage to get the briefcase to a guy in a hotel (Nolasco Amaury).
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Winnipeg, like most North American cities, has been shaped by the automobile. City planners designed the urban environment around the idea of mobility, and the social and work life of the population followed. The car became a necessity rather than a luxury; our environment demanded that we drive. So what does it mean, living in a car-based society, to make a conscious choice not to drive? In this new film, a number of Winnipeggers speak of this choice and the effect it has had on their lives. From mothers with young children to social activists, from artists to human rights workers, they share their reasons for choosing not to drive and the practical consequences in terms of work and social relationships.
A young man tries to get away from his disfunctional family by working with his friend, a rich boy who lives in excess and sleaze, but he will soon realize how reckless his friend is and that he is submerged in a life of crime, vice and deadly bets.
Dan and Cristi are both parents. Their sons are best friends. On the way to the Lehliu police station, Dan does not have the courage to tell Cristi the whole truth about his son's accident and the real reason for this long drive.
Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.
The quest to create a two-litre, turbocharged, 4WD Austin Mini.
Em uma ilha grega hedonista, um médico torna-se obcecado por uma jovem turista quando ela permite que ele se junte ao seu grupo de amigos festeiros.
The story of two lost souls who find one another in the most unlikely place. This chance meeting holds the opportunity to see life from a different perspective and the promise of change.
1950's car culture resulted from the converging simultaneous evilutions of the cheeseburger, the radio and the automobile.