Nastupte, prosím! (1960)

Conta a história do Sargento Michael Dunne (Paul Gross), um soldado brutalmente ferido na França, que retorna para Calgary emocionalmente e fisicamente traumatizado. No hospital militar em Calgary, ele conhece Sarah (Caroline Dhavernas), uma misteriosa e atraente enfermeira pela qual se apaixona. Quando David (Joe Dinicol), o irmão mais novo e asmático de Sarah, se alista para lutar na Europa, Michael sente-se obrigado a voltar para lá e protegê-lo. Michael e David, como milhares de canadenses, são enviados para a terceira batalha de Ypres, uma batalha contra obstáculos impossíveis, comumente conhecida por Passchendaele . Esta é uma história de paixão, coragem e dedicação, mostrando o heroísmo daqueles que lutaram na guerra e de todos os que os amaram.

Inspirado em eventos verdadeiros, Profile segue uma jornalista britânica disfarçada em sua busca para atrair e expor um recrutador terrorista através das redes sociais, enquanto tenta não ser sugada por ele e induzida a se tornar uma militante extremista.

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

The remarkable true story of Darius McCollum, a man with Asperger's syndrome whose overwhelming love of transit has landed him in jail 32 times for the criminal impersonation of NYC subway drivers, conductors, token booth clerks, and track repairmen.

Show business twin sisters Rosemary and Susie, one serious and the other a scatterbrain, join the WAVES and both fall in love with crooner Johnny Cabot.

On the brink of the 2007 U.S. troop surge, two Army Recruiters face the daunting pressures of recruitment while their own deployment is on the line. Sgt. Harris (Lew Temple) has been stationed in the recruiting office long enough for it to feel like home. On the other side of the world, a roadside bomb rips through a Humvee, and after recovering from the attack, Sgt. Mason (Clayne Crawford) gets reassigned and winds up in Harris's office. Mason wants to go back to the front lines, but he finds out that the war isn't confined to the battlefield.

Ralph Phillips is overjoyed when he runs out of Fort Itude, because he's a civilian again. Things, however, don't go well for him when he gets home, and two pixies named Pete and Re-Pete convince him to stay in civilian life or go back to the army. At the end, Ralph chooses to go back to the army

Winning Your Wings is a 1942 short American World War II recruitment film produced by Warner Bros. Studios for the US Army Air Forces, starring Jimmy Stewart. It was aimed at young men who were thinking about joining the Air Force.

A short experimental film by Japanese underground filmmaker Shozin Fukui. The film follows a young woman on the Tokyo subway, who may be possessed.

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

Ritchie Spencer (Richard Gabai) and his friends have a problem. They are the only four members of their fraternity, and they are all graduating. They must find a way to bring in more members before they leave, and dodge their way around the rival jock fraternity.

A woman stalked by depression makes some extreme decisions.

Comprising train and track footage quickly shot just before a heavy winter's snowfall was melting, the multi-award-winning classic that emerged from the cutting-room compresses British Rail's dedication to blizzard-battling into a thrilling eight-minute montage cut to music. Tough-as-boots workers struggling to keep the line clear are counterpointed with passengers' buffet-car comforts.

Miranda, the Manchester Acatitla forward, returns home after a victorious match. On her way back, she faces dangers off the court.

It's 10:47 pm on a bus somewhere in a city. A few teenagers are listening to music and talking loudly. The other passengers look languidly out the window or at their cell phones. A drunk man gets in and joins the teenagers; the mood starts to shift.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Ten French job seekers show up for a two-day recruitment session knowing only that they’re vying for a sales position in the insurance field. Their prospective employer remains a mystery. With limited information, they’re launched into a hiring process that more closely resembles a reality TV challenge than a traditional interview.This brutal examination of entry-level recruitment sheds light on the stigma of being unemployed, the power dynamics of interviewing and the roles people play in their quest to earn a minimum wage.

A documentary exploring the Beavercreek-RTA dispute.