Meu Outro Nome É Luiza (2023)

Alice Palmer morre acidentalmente num lago local. Depois do corpo ser reconhecido, os pais e o irmão começam a presenciar manifestações sobrenaturais em casa ou nas suas imediações. Começam a surgir várias fotografias e vídeos onde pode-se ver a silhueta da jovem. É iniciada então toda uma investigação paranormal que não só vai abalar a comunidade como vai desvendar o verdadeiro segredo por trás da morte de Alice.

Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."

Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.

Recém-saídos da prisão, dois jovens músicos, um homem e uma mulher, decidem formar uma banda. Juntos, eles andam pelo submundo de Teerã à procura de outros instrumentistas. Proibidos pelas autoridades de tocarem no Irã, eles planejam fugir de sua existência clandestina e sonham em tocar na Europa. Porém, sem dinheiro e sem passaportes, nada será tão fácil.

Com poucos diálogos e sem atores profissionais, o filme sustenta-se na trilha sonora e nas paisagens exóticas e majestosas dos pântanos da Louisiana, sob o olhar de uma criança canadense de origem francesa.

Uma universitária indiana escreve cartas para o namorado depois de terem sido separados. Por meio das cartas, temos uma ideia das mudanças drásticas que acontecem ao seu redor. Combinando realidade com ficção, sonhos, memórias, fantasias e ansiedades, uma narrativa amorfa se desenrola.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

A real woman, doing things, being in places. A girl like us, holding a camera, filming her immediate surroundings to show us how it is not easy being a woman, to reveal the elemental plight of being.

“TODOS NÓS CINCO MILHÕES” é um longa-metragem híbrido de documentário e ficção sobre abandono paterno, baseado num dado divulgado pelo Conselho Nacional de Justiça: existem 5,5 milhões de crianças sem o reconhecimento paterno no Brasil.

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

A gorgeous woman allegedly ruins a neurotic man's youth, leading him to reminisce about his life of chaos and desolation.

A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.

A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And that odd yet familiar figure glimpsed on the beach, at the end of the trip, as the woman told it: who did it belong to?

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Conversations between a mother and her son on their way back home from work in the course of a couple of days.

Issa, futebolista bissau-guineense que joga em Portugal, é contactado por dois realizadores de cinema que desejam saber mais sobre a sua vida, com o propósito de fazer um documentário.

Spain, early 20th century. Since she was a child, Leocadia Cantalapiedra has been dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.