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György Fehér

György Fehér

Nascimento : 1939-02-12, Budapest

Morte : 2002-07-15

História

1972-ben végzett a Színház- és Filmművészeti Főiskolán, rendező-operatőr szakon. 1980–1982 között a nyíregyházi Móricz Zsigmond Színház művészeti vezetője volt. Több filmben szereplőként is megjelent (Jancsó Miklós: Szörnyek évadja, Kék Duna keringő, Nekem lámpást adott a kezembe az Úr Pesten, Maár Gyula: Felhőjáték, Makk Károly: Játszani kell, Bereményi Géza: A tanítványok, Makk Károly: A szerelem stb.). A magyar filmélet kiemelkedő személyisége. Öt alkotásával nyert díjat a veszprémi tv-fesztiválon: a Shakespeare: III. Richárd 1975-ben, a Volpone 1976-ban, a Barrabás 1979-ban, a Nők iskolája 1985-ben lett fődíjas, míg Bosszú című filmjével 1978-ban a legjobb rendezésért járó díjat érdemelte ki. Az ő nevéhez fűződik József Attila verseinek, életútjának televíziós feldolgozása: a József Attila-versek 1981-ben, a József Attiláról kortársai című, tizenkilenc részes dokumentumfilm 1981–1983 között, Légy ostoba - József Attila-est Hoboval, míg József Attila: Szabad ötletek jegyzéke két ülésben című alkotása Jordán Tamással1992-ben készült.Első nagyjátékfilmje, a Szürkület (1990) különdíjat kapott a XXII. Magyar Filmszemlén, illetve különböző elismeréseket érdemelt ki nemzetközi fesztiválokon, így Locarnóban és Strasbourgban. 1998-ban készült Szenvedély című játékfilmje a XXIX. Magyar Filmszemlén elnyerte a játék-, kísérleti és kisjátékfilmes zsűri fődíját, a legjobb rendező díját, a legjobb női és férfi színésznek járó elismerést, az operatőri díjat és a külföldi kritikusok Gene Moskowitz-díját, illetve több nemzetközi fesztivál díját is magáénak tudhatja.

Perfil

György Fehér

Filmes

As Harmonias de Werckmeister

As Harmonias de Werckmeister

Additional Dialogue

Esta história se passa em uma pequena cidade na planície húngara. Em uma cidade provincial, que é cercada com nada mais do que gelo. É tempo muito frio - sem neve. Mesmo neste confuso frio centenas de pessoas estão em pé ao redor da tenda de circo, que é colocar-se na praça principal, para ver - como o resultado de sua espera - a principal atração, a carcaça empalhada de uma baleia verdadeira. As pessoas estão vindo de todos os lugares. A partir dos assentamentos vizinhos, mesmo de muito longe as partes do país. Eles estão seguindo esse monstro desajeitado como um mudo, sem rosto, pano vestindo multidão. Este estranho estado de coisas - o surgimento dos estrangeiros, a geada extremo - perturba a ordem da pequena cidade. Ambiciosos personagens da história acham que podem tirar proveito desta situação. A tensão crescente com o insuportável é trazido a explosão, a figura do príncipe, que está fingindo ausência de face.

The Lord's Lantern in Budapest

The Lord's Lantern in Budapest

György

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

Writer

György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.

Director

György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.

O Tango de Satã

O Tango de Satã

Producer

Habitantes de uma pequena aldeia na Hungria lidam com os efeitos da queda do comunismo. A fonte de receita da cidade, uma fábrica, fechou, e os moradores, que incluem um médico e três casais, aguardam um pagamento em dinheiro oferecido na esteira do fechamento. Irimias, um morador considerado morto, retorna e, sem o conhecimento dos moradores locais, é um informante da polícia. Armando um golpe, ele convence os aldeões a formar uma comuna com ele.

Screenplay

In this grim story, three murders of young girls are committed in a similar manner, and their bodies are all found in the woods. The only suspect, a young man assumed to be a paedophile, commits suicide during the investigation. A policeman becomes obsessed with solving the mystery of this serial killer and he continues to investigate even after he has been taken off the case.

Director

In this grim story, three murders of young girls are committed in a similar manner, and their bodies are all found in the woods. The only suspect, a young man assumed to be a paedophile, commits suicide during the investigation. A policeman becomes obsessed with solving the mystery of this serial killer and he continues to investigate even after he has been taken off the case.

Season of Monsters

Season of Monsters

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

Moliére - A nők iskolája

Moliére - A nők iskolája

Writer

Moliére - A nők iskolája

Moliére - A nők iskolája

Director

Director

Director

Writer

Nevelésügyi sorozat

Nevelésügyi sorozat

Director

A five part docu-drama following the everyday lives, family conflicts, careers, joys and problems of a married couple of school teachers and their five children.

Director

Director

Director