Ana María Lynch

Ana María Lynch

Nascimento : 1918-12-13, San Rafael, Mendoza, Argentina

Morte : 1976-01-25

História

Ana María Lynch whose real name was Ana María Martínez (San Rafael, Mendoza, Argentina, December 13, 1918 - Beverly Hills, California, United States, January 25, 1976) was an Argentine film actress. From Wikipedia (ES), the free encyclopedia

Perfil

Ana María Lynch

Filmes

Almas nas Trevas
Ana
Narra as provações dos doentes mentais e seus cuidadores em uma enfermaria superlotada de um hospital. (e 16 - Estimado 16 Anos)
All the Young Men
Maya
During the Korean War, the lieutenant in charge of a Marine rifle platoon is killed in battle. Before he dies, he places the platoon's sergeant, who's black, in charge. The sergeant figures on having trouble with two men in his platoon: a private who has much more combat experience than he does, and a racist Southerner who doesn't like blacks in the first place and has no intention of taking orders from one.
La bestia humana
Flora
From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.
La Tierra del Fuego se apaga
In the faraway lands of the south of the Patagonia, in a town made up of wrongdoers and thieves, a mysterious and solitary man takes a prostitute to live with him at his ranch. However, her past follows her, and he is forced to face it head on.
The Vampire of Santiago
Catalina de los Ríos y Lisperguer, La Quintrala
In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.
Mi vida por la tuya
During a mother's dream comes up Gloria Rivas as a vamp who crushes her son's life.
La mujer más honesta del mundo
The beautiful wife of a mediocre and good-natured butcher falls in love with a cerebral philosophy professor who little by little reveals to her a horizon that conflicts with her innocence.
Como tú ninguna
Como tú ninguna is a black and white film co-produced by Argentina and Mexico directed by Roberto Ratto according to his own script that premiered in 1946 at the Teatro América and starred José Cibrián and Maritza Rosales.
La suerte llama tres veces
When a man agrees to join a gang of criminals, his life becomes a complicated labyrinth that he will have to leave in order to be saved.
Amor último modelo
Matilde Vidal
The daughter of a fashion house owner falls in love with the designer of a competitor business.
En la luz de una estrella
A successful tango singer struggles to cope with the demands and opportunities of fame.
El astro del tango
Luisita Calpe
Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.
Confesión
Anita
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.