Santiago do Chile, 1978. Em meio ao complicado contexto social da ditadura militar de Augusto Pinochet, um homem de meia-idade, Raúl Peralta (Alfredo Castro), está obcecado com a idéia de se tornar Tony Manero, o famoso personagem interpretado por John Travolta no clássico filme da era disco "Os Embalos de Sábado à Noite". A fantasia de encarnar seu grande ídolo, e assim ser reconhecido como uma estrela no mundo do entretenimento, chega a tal nível que acaba levando Raúl a se transformar num assassino em série.
Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.
Laura returns to Chile, after thirty years, to say goodbye to his old and sick mother. In this bitter journey she is accompanied by his daughter Elizabeth, who still did not know her grandmother. When the old woman meets her granddaughter, she decides to change her will and leave the young Elizabeth as heir of the family mansion. When soon after the grandmother dies, Elizabeth examines the inheritance, and discovers with surprise that the mansion was donated to a foundation.
A man takes his insecure, overweight paramour to a seaside resort to consummate their relationship, but there he stumbles onto an artistic discovery that will change his life.
The journey of a retired music teacher who witnesses the detention of a former student by the security agencies of dictatorship. This strong experience leads him to give up on a dream trip to Europe and to begin an intense search for the student's relatives and make them know about what has happened to him.
A couple moves from the rural area of the country to the city, looking for better live opportunities during times of unemployment and poverty, in which dreams seem far from coming true.
A middle-class public employee becomes obsessed with the investment alternatives offered by the neo-liberal economic model that Chile has implemented in the late 1970s. Years later he shall face the consequences.of his past decisions.
