Mart Kessel-Otsa

Film takes the viewer into the world of men living in small towns in Estonia, showing their everyday thoughts and concerns.

Pille, whose last surviving close relative is her daughter living in Finland, attempts to farm sheep alone while defying old age. Felix is worried about bees. Beehives remain empty, bee colonies are dying out, queens are not laying enough eggs for the new generations to hatch. Fields are being poisoned and primaeval forests are being clear-cut. Father Agaton serves small local Estonian Apostolic Orthodox Church congregations, performs blessings, and administers Communion. The Estonian Defence League member Hellat and his daughter Kateriina look for silver, which is supposedly buried in the ground.

Takes a look at the life of the talented musician and composer, saxophonist Maria Faust. The film closely follows the birth of three works and how Maria's personal experiences are reflected in her work.

Linguist Indrek Park has been working with Native American languages for over ten years. The film sees him recording the language of the Mandan tribe, who live in the prairies of North Dakota, on the banks of the Missouri River. The job involves a lot of responsibility, and he is running out of time – his language guide, the 84-year-old Edwin Benson, is the last native speaker of Mandan.

Children are left at grandma's house without their smartphones. Real life seems rather boring until they find instructions for the Kratt - a magical creature who will do whatever its master says. All they have to do now, is to buy a soul from the devil.

My Dear Mother is about the 15-year-old girl Dasha who lives in an orphanage in a small town in Russia. We follow her for five years, in all the thoughts she has about growing up in orphanages. She wonders why her mother left her. Until her grandmother died, she lived with her grandparents, who were Russian Sami. Dasha's father is in jail and her mother was a drug addict. Dasha would like to have contact with her roots and she wants to keep her Sami identity.

People wander around looking for their lives that will always remain unattainable. This film is about Marju Lepajõe, who was a classical philologist, a religious historian and a lecturer at the Faculty of Theology at the University of Tartu. With a witty charm, Marju reflects on the modern world, where the need and the ability to deal with a subject matter in depth have become insignificant. Even universities, temples of erudition and culture, are losing their intellectual aspect. Where can a scholar find their place in these unfavourable circumstances? The viewers get a chance to follow Marju on her path towards refined wording and personal truth. This is an encounter that broadens the mind, offers comfort and inspires

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

Em 1941, uma mulher estoniana e sua jovem filha lutam para encontrar seu caminho de volta a casa após serem deportadas para a Sibéria pelos ocupantes soviéticos. Uma saga onírica de sobrevivência, inspirada em uma história verdadeira.

Uma mãe solteira, Marju (Marika Vaarik), tenta viver seu dia a dia, tornando o ordinário em algo mágico para ela. Ela de repente terá que concluir com uma resposta a sua própria pergunta: o que é o que eu quero? Ela terá uma oportunidade para corrigir os erros de sua vida.

When a former fistfighter Madis leaves the prison, he feels he will get another chance in life. Nothing can go wrong this time. Madis will be accompanied by his nephew who has something completely opposite in his mind. A game begins where both the weak and the strong get more and more opportunities.

Retroband Evergreen's reunion party is ruined when Viktor, who was once the band's frontman, threatens to blow the house up for revenge of his sad destiny.

On one summer evening, four strangers are brought together by a mysterious murder. A case which at first seems like a regular crime investigation turns out to be something more - a tale of love, alienation and new hope.

Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla's return becomes her self-encounter and self-recognition.

Surprised by rain and sudden darkness Laura and Roland, a young couple hitch-hiking on an empty road, decide to seek shelter at a nearby country house. Osvald, the owner, seems to know the deeper meaning of their unexpected visit. His strange behaviour leads to an equally strange offer: Osvald wants to buy Roland's wife. Laura and Roland start to play along, only to discover that their host is not kidding.

A quiet Tarkovskian drama about an old man who lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young mute boy is sent from the mainland to keep him company. Both are haunted by memories, the boy about his mother and the old man about his younger days as a missionary in Africa.

TV Documentary about Ingmar Bergman from 1998.

Balancing on the borders of the real and the unreal the film strives to express the monotony of this world, its illusory character, and emphasize the lack of spirituality in everyday routine.

Estonia's suicide rate is one of the highest in the world. The author tries to trace the social causes of the tragic cases in the footsteps of one schoolboy's suicide.

Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.

The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.