Mário Gajo de Carvalho

A sad and restrained man lying on the bed in his empty room. Hesitates, ponder hypotheses in a cycle without deciding, stuck. In exhaustion all anguish equals. Another man is sitting at the window: he looks at him and to the street. Characters in broken situations. The key positions, the suspended sequences, are shown. The man almost decides - and they almost return, inside and out, to them and to the city, time and movement. Infinite dawn.

A young boy lives his life in a magical way, surrounded by the picturesque atmosphere of his village.

A young boy lives his life in a magical way, surrounded by the picturesque atmosphere of his village.

An examination of bodies, movement and the stillness of landscape brought to you by the entrancing Circus Debre Berhan.

An examination of bodies, movement and the stillness of landscape brought to you by the entrancing Circus Debre Berhan.

An examination of bodies, movement and the stillness of landscape brought to you by the entrancing Circus Debre Berhan.

An artist decides to involve his audience in the making of his magnum opus: The Destruction of Art.

My friend made a painting from a photograph about a manifestation against the economic crisis and I made a film from that painting. Between these two objects lies a path, which began in a casual photograph and ended in a poorly-lit garage.

Cinco personagens e o pecado mortal da avareza. Um ciclo vicioso. Um pequeno film noir em animação sobre a ganância, com uma textura que dá outra dimensão à história. Cinco vezes ganância.

Cinco personagens e o pecado mortal da avareza. Um ciclo vicioso. Um pequeno film noir em animação sobre a ganância, com uma textura que dá outra dimensão à história. Cinco vezes ganância.

PESSOA, um homem-estátua da Baixa-Chiado tenta ser estátua perfeita e sobreviver a um dia de desassossego; Camões, os turistas chineses, os literatos e as miúdas giras têm outra ideia em mente.