Jan Baset Střítežský

Casting is stressful. Hanka, the casting director, is heading for a breakdown and her state of mind isn’t helped by the myriad whims of her actors or the unwelcome visits from her ex-husband, a desperate hypochondriac. A short comedy by Marek Najbrt with a truly stellar cast.

Documentary on the life and art of Marie Cermínová AKA Toyen or “the baroness” to her friends. Long considered a marginal figure, it was not until her death in 1980, when her estate was auctioned off, that Toyen’s masterpieces finally saw the light of day. This film is a portrait of an important figure of the European artistic avant-garde in the 20th century.

After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.

When nostalgia makes her rethink the sale of her family cottage, a woman cajoles her husband and loved ones into one last getaway.

Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.

he story of an unusual journey or a staged piece of contemplation? However we perceive this tale of a couple wandering through the Czech countryside, we can best experience it by yielding to the calm tempo of their journey through the shady woods.

A professora de alemão Maruna dirige o tasco lá do sítio. Não parece que algum dia se vá casar, já que não há muitos homens adequados na sua pequena aldeia. Mas um dia, algo inesperado acontece aqui, em lugar nenhum na Morávia.

A obra se concentra na vida de Anna (Judit Bárdos), uma atleta com pretensões olímpicas e seu drama para se emancipar em plena ditadura Tchecoslovaca. A trama orbita sobre a dificuldade de Anna em lidar com a mãe (Anna Geilerová), uma ex atleta, e com a rigidez de seu treinador respaldado pela ditadura e suas obscuras intenções políticas.

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

Stone by stone, Imrich is building a small house for his daughter Eva almost entirely on his own. But for Eva, who is about to graduate from school, the prospect of moving into the house is about as appealing as being imprisoned in a jail she herself has helped to build. She has very different plans for her future...