Raúl Perrone

In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.

In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.

In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.

In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.

Um fantasmagórico conto sobre Marquês de Sade.

Perrone asks the young people he always shoots to be the cameramen on his movie; on that record he will organize the fragments of life snatched from time and add diverse sound layers.

Um filme de Raul Perrone

Um filme de Raul Perrone

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

Um filme de Raul Perrone

Um filme de Raul Perrone

Um filme de Raul Perrone

Um filme de Raul Perrone

novo filme de Raul Perrone

The cynical philosophers lived in Ancient Greece. Its name comes from the word "dog", denomination attributed by its frugal way of living. They considered that civilization was an evil and so they despised riches and repudiated sciences, norms, and conventions.

The cynical philosophers lived in Ancient Greece. Its name comes from the word "dog", denomination attributed by its frugal way of living. They considered that civilization was an evil and so they despised riches and repudiated sciences, norms, and conventions.

Raúl Perrone does not usually allow people to register his work. It represents an act of intimacy. However, Martín earns his trust and is allowed to take part in the shooting. Perrone's process of filmmaking becomes a testimony of both his role as a film director and a human being with his lights and shadows.

Filme Raul Perrone 2016

Quatro personagen sevocam, por traçado, a famosa pintura de Manet. Em homenagem ao cinema mudo, Raúl Perrone investiga as possibilidades do desejo.

Quatro personagen sevocam, por traçado, a famosa pintura de Manet. Em homenagem ao cinema mudo, Raúl Perrone investiga as possibilidades do desejo.

Quatro personagen sevocam, por traçado, a famosa pintura de Manet. Em homenagem ao cinema mudo, Raúl Perrone investiga as possibilidades do desejo.

Quatro personagen sevocam, por traçado, a famosa pintura de Manet. Em homenagem ao cinema mudo, Raúl Perrone investiga as possibilidades do desejo.

A film-maker in a poor town in Argentina is working on a film which is split into three chapters in the tradition of jidaigeki, the old Japanese swordfight films. In the first part, a samurai murders the son of a brothel owner and the father swears revenge. In the second, a woman loves a benevolent samurai but is forced to become the lover of a rogue. And in the last chapter, a samurai returns from war and doesn't recognize his wife any more. All this happens in an enchanted world of haunting beauty, underscored with snatches of Cumbia rhythms, string motifs by Samuel Barber and melodies by Chet Baker. Samuray-s is a cinematic adventure.

A film-maker in a poor town in Argentina is working on a film which is split into three chapters in the tradition of jidaigeki, the old Japanese swordfight films. In the first part, a samurai murders the son of a brothel owner and the father swears revenge. In the second, a woman loves a benevolent samurai but is forced to become the lover of a rogue. And in the last chapter, a samurai returns from war and doesn't recognize his wife any more. All this happens in an enchanted world of haunting beauty, underscored with snatches of Cumbia rhythms, string motifs by Samuel Barber and melodies by Chet Baker. Samuray-s is a cinematic adventure.

A film-maker in a poor town in Argentina is working on a film which is split into three chapters in the tradition of jidaigeki, the old Japanese swordfight films. In the first part, a samurai murders the son of a brothel owner and the father swears revenge. In the second, a woman loves a benevolent samurai but is forced to become the lover of a rogue. And in the last chapter, a samurai returns from war and doesn't recognize his wife any more. All this happens in an enchanted world of haunting beauty, underscored with snatches of Cumbia rhythms, string motifs by Samuel Barber and melodies by Chet Baker. Samuray-s is a cinematic adventure.

An enchanted and dangerous jungle. A woman and her husband. A young boy and a teenaged girl who look like brother and sister. Another girl and two men from another time. Gunshots. An escape. A cascade and a storm. Love. Passion. Death.

An enchanted and dangerous jungle. A woman and her husband. A young boy and a teenaged girl who look like brother and sister. Another girl and two men from another time. Gunshots. An escape. A cascade and a storm. Love. Passion. Death.

An enchanted and dangerous jungle. A woman and her husband. A young boy and a teenaged girl who look like brother and sister. Another girl and two men from another time. Gunshots. An escape. A cascade and a storm. Love. Passion. Death.

An enchanted and dangerous jungle. A woman and her husband. A young boy and a teenaged girl who look like brother and sister. Another girl and two men from another time. Gunshots. An escape. A cascade and a storm. Love. Passion. Death.

Conheça o cotidiano dos meninos catadores de material reciclável de Córdoba. Veja também o último dia da vida de Pier Paolo Passolini do ponto de vista do jovem que supostamente o assassinou.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Duas histórias de amor e uma de máfia ambientadas entre skatistas em um subúrbio de Buenos Aires.

Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.

Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.

Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.

Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.

Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.

Heber tender love between a Chinese boy who lives in Buenos Aires, and Jaqueline, a girl from the suburbs. She cares for him, protects and serves as a translator, although he already has three years in Argentina and speaks fairly good Spanish. On that happiness a shadow looms: Heber wants to emigrate, to find his sister in Canada. Love story in two stages: one contemplative, with lovers lost in their youthful love; other harder, threatened by the specter of separation.

Heber tender love between a Chinese boy who lives in Buenos Aires, and Jaqueline, a girl from the suburbs. She cares for him, protects and serves as a translator, although he already has three years in Argentina and speaks fairly good Spanish. On that happiness a shadow looms: Heber wants to emigrate, to find his sister in Canada. Love story in two stages: one contemplative, with lovers lost in their youthful love; other harder, threatened by the specter of separation.

Documentary about the daily lives of elderly couple Ofelia and Galván and their pet tortoise.

Graciadió will premiere in Ituzaingó and the show will reunite Violeta Naón and Gustavo Prone, its protagonists, who have not met again in the last eight years. Perrone takes the opportunity to make another film, Eight years later, the story of those two actors and their reunion. To preserve the truth of this new encounter between Violeta and Gustavo, Perrone filmed the entire film with unique shots, without repeating any. One of them a long flat-sequence of 25 minutes.

An old man drivesdriven around town trying to find a wick for his old heater during the long months of the Argentinean winter.

An old man drivesdriven around town trying to find a wick for his old heater during the long months of the Argentinean winter.

Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.

A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.

A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.

A couple celebrates their 55th birthday in Ituzaingó.

A couple celebrates their 55th birthday in Ituzaingó.

Nominal movie. Description of the world of young people of Ituzaingó, in which they survive and fight without going out of his locality dominated by pizzerias, lounges of pool and low houses.

Nominal movie. Description of the world of young people of Ituzaingó, in which they survive and fight without going out of his locality dominated by pizzerias, lounges of pool and low houses.

It is the history of a group of boys around twenty years old of the suburban district. They stroll for the quarter, look at videos, listen to rock. Nothing happens, but it goes on from everything and they are basically alone in the world. As well as there is another "American dream", there is another “Argentine dream”

It is the history of a group of boys around twenty years old of the suburban district. They stroll for the quarter, look at videos, listen to rock. Nothing happens, but it goes on from everything and they are basically alone in the world. As well as there is another "American dream", there is another “Argentine dream”

Absurd comedy homage to the old television series type "Patrulla de caminos". The protagonists were criminals, three kids who were on the road. But two policemen appear so wonderful that they end up being the protagonists.

Three boys, sons of the suburb, the street and the economic depression, stroll for a microworld where the crime, the incomprehension and the solitude are his permanent companies.

Three boys, sons of the suburb, the street and the economic depression, stroll for a microworld where the crime, the incomprehension and the solitude are his permanent companies.

A trip of three friends to San Bernardo.

A trip of three friends to San Bernardo.